Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock Style:Indie Rock
Tracklist:
A1. Intro 0:30 A2. Shut Down 3:23 A3. Sebadoh Record 2:40 A4. Mexico City 2:16 A5. As I Walk On The Earth I Can Feel The Grass Growing 1:52 A6. California Bend 3:34 A7. Oh Man... Don't Begrudge Me My Memorial 3:24 A8. The World Shines On Nicole Kidman 2:07 A9. Feeding Off Each Other 2:47 B1. Night Funk 2:56 B2. Tube Amp (Acoustic Version) 3:57 B3. Live At Carnegie Hall 0:30 B4. Magnet In A Pigeon's Brain 1:30 B5. Veto Power 2:54 B6. The Loose-Fitting Dress 2:40 B7. Chris Knocked Down 0:46 B8. The Horsey Is As Good As My Sister's Story 2:16 B9. Spaceboy 3:28
General notes about this release (please note: our version may differ a little. see the comments above):
Debut full-length. In hand spray painted generic white jackets with black and white photocopied labels glued to the front and back covers. Back cover label has credits, track listing, and a partial Sing, Eunuchs! catalog.
Jackets were spray painted in gold metallic, silver metallic, and maroon. All are from the same pressing.
Includes two black and white photocopied inserts. One has a band photo of Solid Jackson playing at the Cog Factory in Omaha, Nebraska and lyrics on the reverse. The second has a Sing, Eunuchs! catalog on one side and credits/thanks on the reverse.
From the credits/thanks insert:
"This record was engineered and produced by Solid Jackson and Simon Joyner for $225. It was recorded on 4-track in 25 hours and mixed in 8 hours. All songs written by Solid Jackson and are common law copywritten: Solid Jackson/Sing Eunuchs! 1995.
Thanks to:
Chris & Simon, Frontier Trust, Scott & Rob at the Cog Factory, Marty, Trey & Lalaya at the Capitol, Mike Wehner, Fischer, Mousetrap, Joe Ko for the van, Jim Bogensberger, Tim Moss, Truck Johnson, Culture Fire, Bob Thorton, Brian Swanson, Miah Sommer, Dave Sink, Lee Meyerpeter, Brian Poloncic, Cactus Nerve Thang, Jeremiah and BTO records, Louis Simpson, Conor Oberst, Reggie Scherer, Veronica at Fusebox Productions, Paul, Melissa, John and Fred for pictures, John Kuhlman, Rainbow Music, and all of the holmses. Blake would like to thank everyone who lent him their stuff, especially John Kuhlman."
