Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz Style:Post Bop, Cool Jazz
Tracklist:
A1. Minuet Circa '61 A2. Who Could Care A3. Nice Work If You Can Get It B1. Thump, Thump, Thump B2. A Nightingale Sang In Berkeley Square B3. Love Jumped Out
General notes about this release (please note: our version may differ a little. see the comments above):
Sleeve cat no. VLP 9004
Labels cat no. VLP. 9004
Recorded September 12, 13 1961, in New York City
Advertised as part of "Jazz guys (and gals) for November" on page 4 in the Wednesday, November 7th 1962 issue of "Jazz News" magazine.
Barcode and Other Identifiers:
Matrix / Runout V 8418A -IS Matrix / Runout V 8418B-IS Other SVLP 9004 Rights Society BIEM. NCB.
Made By E.M.I. Records Limited Licensed From Metro-Goldwyn-Mayer, Inc. Record Company Metro-Goldwyn-Mayer, Inc. Printed By Ernest J. Day & Co. Ltd. Made By Ernest J. Day & Co. Ltd.
A2. Who Could Care
A3. Nice Work If You Can Get It
B1. Thump, Thump, Thump
B2. A Nightingale Sang In Berkeley Square
B3. Love Jumped Out