Stan Tracey - Jazz Suite (Inspired By Dylan Thomas' Under Milk Wood) (LP, Album)

Condition:
Media:  Near Mint (NM or M-)
Sleeve:  Very Good Plus (VG+)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

Comments:
small sticker on top left corner!
€22,99

What determines the price? Read more.

What determines the price?

Why is one record cheaper than another?

Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.

Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.

What makes the difference in price?

For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.

Which variant should I choose?

If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.

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Genre: Jazz
Style: Post Bop, Modal

Tracklist:
A1. Starless And Bible Black
A2. I Lost My Step In Nantucket
A3. AM Mayhem
A4. No Good Boyo
B1. Pen Pals
B2. Cockle Row
B3. Llareggub
B4. Under Milk Wood



 



General notes about this release (please note: our version may differ a little. see the comments above):

Recorded in London at the Wigmore Hall May 22, 1976.
Recording: Peter Bould & Peter Ball Tri Arts Associates Ltd.
Music published by Essex Music Int. Ltd.

Sleeve Notes by Derek Jewell, Jazz & Popular Music Critic, The Sunday Times of London.


 

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