G (Good) – Heavily played, noise likely; cover with visible damage.
Generic – Original cover missing, record comes in a generic sleeve.
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Genre:Electronic Style:Berlin-School
General notes about this release (please note: our version may differ a little. see the comments above):
Demos written at home (under the bed) 1993-1994. CD recorded at No.5 (Harry's house) April 1994. Track 4 reconstructed at home (later) late 1995. P.S. The music was recorded during three and a half weeks in May 1994, and the total recording budget amounted to £132.70 - including a return Coach trip to Bedford! It's true!
The equipment so far..... Computers: Amiga A500 running Music-X, Atari 1040st running Cubase, Glasgow custom extra midi ports. Mixers: Tascam MM1 20-2x2, Studio Tech 20-2 (Harry's), Dynamix 12-2. Outboards: Roland DEP 5 reverb, RE 501 tape echo, Ibanez D 1000 digital delay, Ross Graphic EQ (Harry's), Electro-Harmonix Polyphase, Arion stereo chorus, Boss BF2 flanger, Yamaha R 100 reverb, Korg DRV reverb. Synths: Korg DW8000 (x2), CX 3 'Hammond', 'modular' MS10, MS20, MS50, SQ10, P3 piano module, Ensoniq ESQ 1, Kawai K4R, K1 (Harry's), Yamaha TG 100 (Harry's), Evolution EVS 1, Casio CZ 101, Roland TR 808 (midi), SH 101 (x3), MC 202, Sequential Pro 1, Prophet 5, Prophet T8, Mini Moog (x2), Arp Odyssey MK1 & MK2. Misc: Roland A110 note display, Glasgow custom midi accordion, Groove midi - cv interface, Marantz DCC machine, Casio DA 7 DAT machine, Tascam Porta 1 portastudio, Fostex R 8 eight track.
The duration of track 6 is listed as 9:50 on the cover. There is silence between 9:50 and 10:56 where another untitled piece begins. The untitled piece is an instrumental version of It's Not Unusual, famously recorded by Tom Jones in 1965.
The cover photograph shows Port Isaac, Cornwall.
Part of stock has numbering XXX/250 on booklet under tracklist, making them limited numbered edition, but otherwise they have no difference to copies without numbering.
1. The Second Hand Swept Away The Time That Could Never Be Recovered 20:192. The Darker It Gets (The Faster We Drive) 5:113. Freak Of Geometry 10:084. The Last Place God Made 10:465. Idleness In Monkeys 10:116a. Into The Greenwood 9:506b. Untitled 6:24
Phonographic Copyright (p) Fairy Nuff MusicCopyright (c) Fairy Nuff MusicPublished By Fairy Nuff MusicMastered At The Tape Duplication Company, SheffieldGlass Mastered At NimbusData provided by Discogs
Barcode and Other Identifiers:
Matrix / Runout C1201 NUFF 100 · 0 :: 0 ·MASTERED BY NIMBUS· Mastering SID Code IFPI L123 Rights Society MCPS SPARS Code ADD Other 0378 442484
Phonographic Copyright (p) Fairy Nuff Music Copyright (c) Fairy Nuff Music Published By Fairy Nuff Music Mastered At The Tape Duplication Company, Sheffield Glass Mastered At Nimbus
Demos written at home (under the bed) 1993-1994. CD recorded at No.5 (Harry's house) April 1994. Track 4 reconstructed at home (later) late 1995. P.S. The music was recorded during three and a half weeks in May 1994, and the total recording budget amounted to £132.70 - including a return Coach trip to Bedford! It's true!
A first recording for Fairy Nuff Music
℗ and © 1996 Fairy Nuff Music
Made in UK.
The equipment so far..... Computers: Amiga A500 running Music-X, Atari 1040st running Cubase, Glasgow custom extra midi ports. Mixers: Tascam MM1 20-2x2, Studio Tech 20-2 (Harry's), Dynamix 12-2. Outboards: Roland DEP 5 reverb, RE 501 tape echo, Ibanez D 1000 digital delay, Ross Graphic EQ (Harry's), Electro-Harmonix Polyphase, Arion stereo chorus, Boss BF2 flanger, Yamaha R 100 reverb, Korg DRV reverb. Synths: Korg DW8000 (x2), CX 3 'Hammond', 'modular' MS10, MS20, MS50, SQ10, P3 piano module, Ensoniq ESQ 1, Kawai K4R, K1 (Harry's), Yamaha TG 100 (Harry's), Evolution EVS 1, Casio CZ 101, Roland TR 808 (midi), SH 101 (x3), MC 202, Sequential Pro 1, Prophet 5, Prophet T8, Mini Moog (x2), Arp Odyssey MK1 & MK2. Misc: Roland A110 note display, Glasgow custom midi accordion, Groove midi - cv interface, Marantz DCC machine, Casio DA 7 DAT machine, Tascam Porta 1 portastudio, Fostex R 8 eight track.
The duration of track 6 is listed as 9:50 on the cover. There is silence between 9:50 and 10:56 where another untitled piece begins. The untitled piece is an instrumental version of It's Not Unusual, famously recorded by Tom Jones in 1965.
The cover photograph shows Port Isaac, Cornwall.
Part of stock has numbering XXX/250 on booklet under tracklist, making them limited numbered edition, but otherwise they have no difference to copies without numbering.
1. The Second Hand Swept Away The Time That Could Never Be Recovered 20:192. The Darker It Gets (The Faster We Drive) 5:113. Freak Of Geometry 10:084. The Last Place God Made 10:465. Idleness In Monkeys 10:116a. Into The Greenwood 9:506b. Untitled 6:24
Barcode and Other Identifiers:
Matrix / Runout C1201 NUFF 100 · 0 :: 0 ·MASTERED BY NIMBUS·Mastering SID Code IFPI L123Rights Society MCPSSPARS Code ADDOther 0378 442484
Phonographic Copyright (p) Fairy Nuff MusicCopyright (c) Fairy Nuff MusicPublished By Fairy Nuff MusicMastered At The Tape Duplication Company, SheffieldGlass Mastered At NimbusData provided by Discogs