Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Electronic, Jazz Style:Future Jazz, Acid Jazz, Bossa Nova
General notes about this release (please note: our version may differ a little. see the comments above):
All Tracks Composed & Produced By Subes
Subes Are: Greg Wilmot & Pieter Ubbels
Line Up:
Pieter Ubbels: Saxophones, Flutes, Melodica & Strings
Greg Wilmot: Rhythms & Programming
Johan Hendrikse: Piano, Rhodes & Korg on tracks 3, 5, 8 & 9
Rob Geboers: Organ on tracks 2, 4, & 6
Dirk Beets: Trumpet on tracks 1, 4, 9 & 10
All Tracks Mixed By Greg Wilmot & Pieter Ubbels
Artwork By Sander Huibers For 339 Design
Mastered By Bo Kondren At Calyx Mastering Berlin
1. Let's Get Over It 2. There Goes The Speaker 3. Perhaps Because 4. Oh No.. 5. Jelly 6. Bolobo 7. Closing The 13th Floor 8. Thrill From The Pill 9. Cool Hot And No Dixie 10. Flamici
