Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Classical Style:Modern, Contemporary
Tracklist:
A1. Jag Är Livets Bröd 3:45 A2. Bedjen, Och Eder Skall Varda Givet 3:45 A3. Och Ordet Vart Kött 3:40 A4. Icke Kommer Var Och En In I Himmelriket 2:45 A5. Den Stund Kommer 3:20 A6. Vaken För Den Skull 2:00 A7. Se, Vi Gå Upp Till Jerusalem 3:20 A8. Han Blev Lydig Intill Döden 3:05 A9. Jesus, Tänk På Mig 3:50 B1. The Transfiguration 5:36 B2. Natten Är Framskriden 4:37 B3. Dessa Äro De Som Komma Ur Den Stora Bedrövelsen 4:50 B4. Behold, I Am Making All Things New 4:22 B5. Herr, Zu Wem Sollen Wir Gehen? 6:55 B6. Utrannsaka Mig 2:30
General notes about this release (please note: our version may differ a little. see the comments above):
℗ 1981, STIM
Recorded in Studio 2, Radiohuset, Stockholm 1978-05-22 (tracks 1 to 3 and 15), 1977-06-12 (tracks 4 to 9); in the Baroque Hall of the Museum of National Antiquities, Stockholm 1968-11-26 (track 10), 1970-02-25 (track 11 to 12), 1969-09-22 (track 13); and in the Uppsala Cathedral 1976-06-10 (track 14).
Includes a 12-page booklet in Swedish (with a shortened English translation) providing information about each composition from artistic, philosophical, religious and clergical viewpoints.
Cover photo depicts a wooden sculpture by Björn Erling Evensen.
