Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Electronic, Rock, Funk / Soul, Stage & Screen Style:New Wave, Post-Punk, Art Rock, Soundtrack, Funk, Pop Rock, Indie Rock, Alternative Rock, Leftfield
Tracklist:
A1. Psycho Killer A2. Heaven A3. Thank You For Sending Me An Angel A4. Found A Job A5. Slippery People A6. Cities B1. Burning Down The House B2. Life During Wartime B3. Making Flippy Floppy B4. Swamp C1. What A Day That Was C2. This Must Be The Place (Naïve Melody) C3. Once In A Lifetime C4. Big Business / I Zimbra D1. Genius Of Love D2. Girlfriend Is Better D3. Take Me To The River D4. Crosseyed And Painless
General notes about this release (please note: our version may differ a little. see the comments above):
Black vinyl version
Country is written on back of sleeve
Hype sticker:
Music from the film by Jonathan Demme and Talking Heads, newly remastered
2-LP package features the complete show on vinyl
Also includes original booklet with additional liner notes written by Tina Weymouth, David Byrne, Chris Frantz, and Jerry Harrison
Packaged like the 1984 limited edition pressing but in a wide-spine sleeve. Booklet has additional pages with never-before-seen photos.
Tracks A6 and C4 are identified as previously unreleased.
Worldwide except North America.
Recorded at The Pantages Theatre, Hollywood, December 1983 by The Record Plant Mobile.
Re-recording for film at Can Am and Ocean Way, Los Angeles, and Right Track, New York.
Mixed at Soundworks and Sigma Sound, New York.
Originally mastered... at Sterling Sound, New York.
Made in Germany
Runouts are etched, exept "STERLING" are stamped.
Barcode and Other Identifiers:
Barcode 6 03497 82400 7 Rights Society GEMA/BIEM Matrix / Runout BN94056-01 A1 603491832835 RI124897-A REI (2) JN-H STERLING Matrix / Runout BN94056-01 B1 603491832835 RI-124897-B REI (2) JN-H STERLING Matrix / Runout 603491832835 RI-124897-C BN94056-02 C1 REI (2) JN-H STERLING Matrix / Runout BN94056-02 D1 603491832835 RI-124897-D REI (2) JN-H STERLING
Phonographic Copyright (p) Sire Records Company Copyright (c) Sire Records Company Phonographic Copyright (p) Parlophone Records Ltd. Copyright (c) Parlophone Records Ltd. Manufactured For Rhino Entertainment Company Marketed By Rhino Entertainment Company Record Company Warner Music Group Recorded At Pantages Theater Recorded At Can-Am Recorders Recorded At Ocean Way Recording Recorded At Right Track Recording Recorded By Record Plant Mobile, Los Angeles Mixed At Soundworks, New York Mixed At Sigma Sound Studios, New York Lacquer Cut At Sterling Sound Pressed By Optimal Media GmbH
