Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock Style:Blues Rock
Tracklist:
A1. I May Be Wrong, But I Won't Be Wrong Always A2. Woodchopper's Ball B1. Spider In Your Web B2. Summertime B3. Shantung Cabbage B4. I'm Going Home
General notes about this release (please note: our version may differ a little. see the comments above):
Label layout without JT credits on the bottom (released right after the one including JT).
"Ten Years After Undead" Recorded "Live" at Klooks Kleek, Railway Hotel, West Hampstead, London NW 6.
On the label the writer's credits for A1 go to the whole band.
Tracks B2 and B3 are not separated on the disc.
Released on a red and white Deram label with black print in a sleeve laminated on the front only.
Also released in mono (# DML 1023).
Some copies come with a ''Isle of Wight'' sticker.
Barcode and Other Identifiers:
Rights Society BIEM NCB Rights Society GEMA Matrix / Runout ZAL-8390-1W Matrix / Runout ZAL-8391-1W
Made By British Celanese Limited Printed By Clout & Baker Ltd.
