Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
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For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock Style:Rock & Roll, Pop Rock
Tracklist:
A1. A Beginning 0:50 A2. Happiness Is A Warm Gun 2:14 A3. Helter Skelter 4:37 A4. Mean Mr. Mustard 1:57 A5. Polythene Pam 1:26 A6. Glass Onion 1:51 A7. Junk 2:24 A8. Piggies 2:01 A9. Honey Pie 1:19 A10. Don't Pass Me By 2:42 A11. Ob-La-Di, Ob-La-Da 2:42 A12. Good Night 2:56 B1. Cry Baby Cry 2:37 B2. Blackbird 2:46 B3. Sexy Sadie 2:18 B4. While My Guitar Gently Weeps 4:06 B5. Hey Jude 3:27 B6. Not Guilty 4:21 B7. Mother Nature's Son 3:17 C1. Glass Onion 2:08 C2. Rocky Raccoon 4:12 C3. What's The New Mary Jane 6:12 . Medley 2:30 C5. I'm So Tired 2:14 C6. I Will 1:55 C7. Why Don't We Do It In The Road 2:15 C8. Julia 1:57 D1. I've Got A Feeling 2:49 D2. She Came In Through The Bathroom Window 3:36 D3. Dig A Pony 4:18 D4. Two Of Us 3:27 D5. For You Blue 2:22 D6. Teddy Boy 3:18 . Medley 3:10 E1. The Long And Winding Road 3:40 E2. Oh! Darling 4:08 E3. All Things Must Pass 3:05 E4. Mailman, Bring Me No More Blues 1:55 E5. Get Back 3:08 E6. Old Brown Shoe 3:02 E7. Octopus's Garden 2:49 E8. Maxwell's Silver Hammer 3:49 F1. Something 3:18 F2. Come Together 3:40 F3. Come And Get It 2:29 F4. Ain't She Sweet 2:08 F5. Because 2:23 F6. Let It Be 4:05 F7. I Me Mine 1:47 F8. The End 2:50
General notes about this release (please note: our version may differ a little. see the comments above):
Fold out sleeve (2 spines). Plain white paper poly-lined inner sleeves. Hype sticker on sleeve (with number: 8 34451 1).
This release has no etched runouts - only stamped. (identifying EMI Records Pressing)
A1: Recorded At EMI Studios, London, 22 July 1968
A2: Recorded In Esher, May 1968
A3: Recorded At EMI Studios, London, 18 July 1968
A4: Recorded In Esher, May 1968
A5: Recorded In Esher, May 1968
A6: Recorded In Esher, May 1968
A7: Recorded In Esher, May 1968
A8: Recorded In Esher, May 1968
A9: Recorded In Esher, May 1968
A10: Recorded At EMI Studios, London, 4 And 6 June 1968
A11: Recorded At EMI Studios, London, 3, 4, 5 July 1968
A12: Recorded At EMI Studios, London, 28 June And 22 July 1968
B1: Recorded At EMI Studios, London, 16 July 1968
B2: Recorded At EMI Studios, London, 11 June 1968
B3: Recorded At EMI Studios, London, 19 July 1968
B4: Recorded At EMI Studios, London, 25 July 1968
B5: Recorded At EMI Studios, London, 29 July 1968
B6: Recorded At EMI Studios, London, 8, 9, 12 August 1968
B7: Recorded At EMI Studios, London, 9 August 1968
C1: Recorded At EMI Studios, London, 11, 12, 13, 16, 26 September 1968
C2: Recorded At EMI Studios, London, 15 August 1968
C3: Recorded At EMI Studios, London, 14 August1968
C4: Recorded At EMI Studios, London, 16 September 1968
C5: Recorded At EMI Studios, London, 8 October 1968
C6: Recorded At EMI Studios, London, 16 September 1968
C7: Recorded At EMI Studios, London, 9 October 1968
C8: Recorded At EMI Studios, London, 13 October 1968
D1: Recorded At Apple Studios, London, 23 January 1969
D2: Recorded At Apple Studios, London, 22 January 1969
D3: Recorded At Apple Studios, London, 22 January 1969
D4: Recorded At Apple Studios, London, 24 January 1969
D5: Recorded At Apple Studios, London, 25 January 1969
D6: Recorded At Apple Studios, London, 24 And 28 January 1969
D7: Recorded At Apple Studios, London, 26 January 1969
E1: Recorded At Apple Studios, London, 26 January 1969
E2: Recorded At Apple Studios, London, 27 January 1969
E3: Recorded At EMI Studios, London, 25 February 1969
E4: Recorded At Apple Studios, London, 29 January 1969
E5: Recorded At Apple Studios (Roof), London, 30 January 1969
E6: Recorded At EMI Studios, London, 25 February 1969
E7: Recorded At EMI Studios, London, 26 April1969
E8: Recorded At EMI Studios, London, 9 July 1969
F1: Recorded At EMI Studios, London, 25 February 1969
F2: Recorded At EMI Studios, London, 21 July 1969
F3: Recorded At EMI Studios, London, 24 July 1969
F4: Recorded At EMI Studios, London, 24 July 1969
F5: Recorded At EMI Studios, London, 1 And 4 August 1969
F6: Recorded At EMI Studios, London, 25 January 1969
F7: Recorded At EMI Studios, London, 3 January 1970
F8: Recorded At EMI Studios, London, 23 July And 3, 5, 7, 8, 15, 18 August 1969; Final Chord 22 February 1967
Licensed To EMI Records Ltd. Marketed By EMI Distributed By EMI Phonographic Copyright (p) Apple Corps Ltd. Phonographic Copyright (p) EMI Records Ltd. Copyright (c) Apple Corps Ltd. Licensed To EMI Records Ltd. Recorded At Abbey Road Studios Recorded At Apple Studios Pressed By EMI Records
