Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz Style:Big Band
Tracklist:
A1. Things To Come 5:29 A2. One Bass Hit 6:35 A3. Frisco 7:55 B1. Con Alma 10:15 B2. The Things Are Here 7:40 B3. Theme - Birks Works 1:40
General notes about this release (please note: our version may differ a little. see the comments above):
Standard sleeve issue, also released in a gatefold sleeve
Recorded live at the Berlin Jazz Festival November 7th, 1968
Opening concert of Berlin Jazz Festival 68
Made in England
Sleeve printed in England by Robert Stace
Cat# on spine: MPS/BASF S BAP 5060
Ca# on Rear Cover & Center Label: BAP 5060 / (15207)
Barcode and Other Identifiers:
Matrix / Runout ZAGL-409 IG Matrix / Runout ZAGL-410 IG Other white S in black circle
Phonographic Copyright (p) MPS/BASF Records Recorded At Berlin Jazz Festival Manufactured By The Decca Record Company Limited Printed By Robert Stace
A2. One Bass Hit 6:35
A3. Frisco 7:55
B1. Con Alma 10:15
B2. The Things Are Here 7:40
B3. Theme - Birks Works 1:40