Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock Style:Garage Rock, Beat
Tracklist:
A1. Can't Judge A Book 2:29 A2. Balla Balla 1:44 A3. Dance 1:58 A4. Oh Baby Doll 1:39 A5. Shame Shame Shame 1:59 A6. Hullaballoo 1:35 B1. Lost Woman 1:46 B2. Mashed Potatoes 1:38 B3. Milcow Blues 2:14 B4. Don't Lie To Me 1:40 B5. I Just Wanna Make Love 2:20 B6. Cara Lin 1:42
General notes about this release (please note: our version may differ a little. see the comments above):
Recorded & Engineered at Pin Up Studios, Hayward, California, USA.
Dionysus Schallplatten P.O. Box 1975 Burbank, CA 91507 USA Im Vertrieb der Mordam - Amidisc GmbH
B1 misspelled "Lost Women" on the back cover.
Incorrect credits on the back cover, instead of:
A1 W. Dixon
A2 H. Lippok
A3 A. Reichel
A4 C. Berry
A5 J. Reed
A6 See The Guards (2)
B1 C. Dreja, J. Beck, J. McCarty, K. Relf, P. Samwell-Smith
B2 D. Rozier
B3 J. Estes
B4 H. Whittaker
B5 W. Dixon
B6 Feldman, Goldstein, Gottehrer
Barcode and Other Identifiers:
Matrix / Runout ID 123377 A L-52181 Matrix / Runout ID 123377 B L-52181 X
Distributed By Mordam Records Mastered At Greg Lee Processing
