Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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A1. Générique A2. L'Assassinat De Carala A3. Sur L'Autoroute A4. Julien Dans L'Ascenseur A5. Florence Sur Les Champs-Élysées A6. Dîner Au Motel A7. Évasion De Julien A8. Visite Du Vigile A9. Au Bar Du Petit Bac A10. Chez Le Photographe Du Motel . Des Femmes Disparaissent (Original Sound Track) B1. Générique B2. Pierre Et Béatrice B3. Ne Chuchote Pas B4. Mambo Dans La Voiture B5. Juste Pour Eux Seuls! B6. Blues Pour Marcel B7. Blues Pour Vava B8. Pasquier B9. La Divorcée De Léo Fall B10. Des Femmes Disparaissent B11. Final Pour Pierre Et Béatrice
General notes about this release (please note: our version may differ a little. see the comments above):
Side A - Miles Davis - Ascenseur Pour l'Echafaud (Lift To The Scaffold) Recorded: December 4, 1957, Paris.
Side B - Art Blakey - Des Femmes Disparaissent (Girls Vanish) Recorded: December 18, 19, 1958, Paris.
. Ascenseur Pour L'Echafaud (Original Sound Track)
