Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz, Stage & Screen Style:Score
Tracklist:
A1. The Golden Striker 3:39 A2. One Never Knows 9:20 A3. Rose Truc 4:55 B1. Cortege 7:24 B2. Venice 4:26 B3. Three Windows 6:43
General notes about this release (please note: our version may differ a little. see the comments above):
The music on this LP was especially written by John Lewis for the film "No Sun In Venice"
This record was previously released as Atlantic 1284 with the title: "The Modern Jazz Quartet Plays No Sun In Venice" (10th of June, 1958.)
Consultant for "That's Jazz"-Series: Claude Nobs.
(c) 1958 Atlantic Recording Corporation
(p) 1976 WEA Musik GmbH
Distributed by WEA Musik GmbH
A Warner Communcations Company
Made In Germany
Barcode and Other Identifiers:
Rights Society STEMRA Matrix / Runout WEA ST-A-11433D AT/GP [etched] Manufactured In Germany [stamped] Matrix / Runout WEA ST-A-11434H AT/GP [etched] Manufactured In Germany [stamped]
Phonographic Copyright (p) Atlantic Recording Corporation Lacquer Cut At Atlantic Studios Pressed By Teldec-Press GmbH
A2. One Never Knows 9:20
A3. Rose Truc 4:55
B1. Cortege 7:24
B2. Venice 4:26
B3. Three Windows 6:43