Newly added (today)

The Moody Blues With The London Festival Orchestra Conducted By Peter Knight - Days Of Future Passed (CD, Album, RE, RM, Son)

Condition:
Media:  Very Good Plus (VG+)
Sleeve:  Very Good Plus (VG+)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

€6,99

What determines the price? Read more.

What determines the price?

Why is one record cheaper than another?

Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.

Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.

What makes the difference in price?

For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.

Which variant should I choose?

If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.

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Genre: Rock
Style: Psychedelic Rock, Symphonic Rock

General notes about this release (please note: our version may differ a little. see the comments above):

Comes in clear Jewel Case with 20 page booklet.

[On back of case:
"Originally released as Deram SML707 in November 1967." ( [r=773480 )
"(P)(C) 2008 Decca Music Group Limited"

[From liner notes:
"Project coordinated For Universal Music By Joe Black"
"CD Package design by Phil Smee at Waldo's Design & Dream Emporium"

"THE BONUS TRACKS"
Track 8: "BBC Radio session for "Saturday Club" - Recorded May 9, 1967"
"...artists were invited to record sessions at the BBC's studios in Maida Vale, London."
"This recording...is the earliest surviving Moody Blues BBC session to feature Justin Hayward and John Lodge."
"..."Don't Let Me Be Misunderstood" (a hit some years earlier for The Animals)...with Ray Thomas's flute..."

Track 9: "A-side of single"
Track 10: "B-side of single"
"Released as Decca F12607 in May 1967" [ [r3250262
"The first Moody Blues release to feature new members Justin Hayward and John Lodge. Recorded on March 30, 1967..."

Track 11: "A-side of single"
Track 12: "B-side of single"
"Released as Decca F12670 in September 1967" [Similar to [r4494575
"Recorded on July 17, 1967, Mike Pinder's "Love And Beauty"...has the distinction of being the first Moody Blues recording to feature his use of the Mellotron."
"Justin Hayward's..."Leave This Man Alone," recorded on June 29, 1967, features...flanged guitar..."

Track 13: "B-side of single"
"Released as Deram DM 161 in November 1967" [ [r540698
"Recorded on July 17, 1967...released as the single companion to "Nights In White Satin" throughout the world."

Tracks 14 & 15: "Recorded at Decca Studios West Hampstead -
October 24, 1967"
Tracks 16 & 17: "Recorded at Decca Studios West Hampstead -
October 26, 1967"
"In 1967 multi-track recording was essentially in its infancy, with 8-track tape recorders still some months away from arriving in Britain. In common with the techniques adopted by The Beatles on their [iSergeant Pepper[/i album, [iDays Of Future Passed[/i was recorded by utilizing two four-track tape machines. Prior to orchestral overdubs being undertaken, the initial four-track tape was mixed down and then transferred to another four-track tape to allow further overdubs to take place. These recordings are initial reductions used as part of the process and serve as a fascinating insight into the ingenuity employed during the creative process."

 

. Stereo Remastered Album 1. The Day Begins: Inc. Morning Glory 5:512. Dawn: Dawn Is A Feeling 3:493. The Morning: Another Morning 3:484. Lunch Break: Peak Hour 5:33. The Afternoon 8:23. Evening 6:407. The Night: Nights In White Satin 7:30. Bonus Tracks . BBC Radio Session 8. Don't Let Me Be Misunderstood 2:25. 1967 Mono Single Masters 9. Fly Me High 2:5410. I Really Haven't Got The Time 3:0711. Love And Beauty 2:2412. Leave This Man Alone 2:5913. Cities 2:23. Alternate Versions & Out-Takes 14. Tuesday Afternoon (Alternate Mix) 4:2015. Dawn Is A Feeling (Alternate Version) 2:1916. The Sun Set (Alternate Version Without Orchestra) 2:4917. Twilight Time (Alternate Vocal Mix) 2:27

 

Barcode and Other Identifiers:

Barcode 6 00753 06631 7Barcode 600753066317Label Code LC 00171Rights Society BIEMRights Society SABAMMatrix / Runout [Sony DADC - logo, Universal - logo] 5306631V2 13 A00Mastering SID Code IFPI L553Mould SID Code IFPI 946PMould SID Code IFPI 94K1Mould SID Code IFPI 94K4

 

Phonographic Copyright (p) Decca Music Group LimitedCopyright (c) Decca Music Group LimitedRecorded At Maida Vale StudiosRecorded At Decca StudiosRemastered At Logical Box StudiosRemastered At The Audio Archiving CompanyGlass Mastered At Sony DADCData provided by Discogs
Barcode and Other Identifiers:

Barcode 6 00753 06631 7
Barcode 600753066317
Label Code LC 00171
Rights Society BIEM
Rights Society SABAM
Matrix / Runout [Sony DADC - logo, Universal - logo] 5306631V2 13 A00
Mastering SID Code IFPI L553
Mould SID Code IFPI 946P
Mould SID Code IFPI 94K1
Mould SID Code IFPI 94K4

 

Phonographic Copyright (p) Decca Music Group Limited
Copyright (c) Decca Music Group Limited
Recorded At Maida Vale Studios
Recorded At Decca Studios
Remastered At Logical Box Studios
Remastered At The Audio Archiving Company
Glass Mastered At Sony DADC

Data provided by Discogs
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