Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
Including tax.
Shipping costs
are calculated at checkout
×
Shipping Policy
How long shipping takes depends on your address and the shipping method you selected.
Shipping within the Netherlands, Belgium and Germany takes 1 to 2 days, while international
shipping can take 1 to 4 weeks. You will receive a tracking code once we have shipped your
order so you can follow the delivery status.
1 in stock
Would you like to give this record as a gift?
×
Gift wrapping
Would you like to give this record as a gift?
We wrap it beautifully for you, with quality wrapping paper, stickers and ribbon.
Perfect for birthdays, Christmas gifts or other occasions.
In your shopping cart, tick “Add gift wrapping (€1,99)” for each product
you would like to receive wrapped.
This is what your gift will look like:
Curious how we wrap your record festively?
Click here
✓
Pickup available at Vinyleers warehouse (open on weekdays)
Usually ready within 24 hours
Genre:Rock, Blues, Pop Style:Blues Rock, Rock & Roll
General notes about this release (please note: our version may differ a little. see the comments above):
A BBC recording
For all tracks that have been through Abbey Road's new de-mix process, original BBC master tapes and transcription discs have been used wherever possible to ensure the best available sources. The de-mix process then gives the engineers access to the individual instrumentation and vocals within the track so they can be rebalanced and remixed into a fuller sounding performance.
Gatefold Images (L-R): Keystone Features / Stringer, Phil Ochs Archives / Stringer, Giancarlo BOTTI / Contributor, Stanley Bielecki / ASP / Contributor.
Booklet Images: Philip Townsend Archives (2-3), Pictorial Press Ltd. / Alamy Stock Photo (5), Michael Ochs Archives / Stringer (6,10), Dezo Hoffman / REX / Shutterstock (9), CBS Photo Archive / Contributor (12)
Track 1-1: Recorded for Saturday Club. First broadcast on 26 October 1963.
Track 1-2: Recorded for Saturday Club. First broadcast on 18 September 1965.
Track 1-3: Recorded for Saturday Club. First broadcast on 26 October 1963.
Track 1-4: Recorded for Yeah Yeah. First broadcast on 30 August 1965.
Track 1-5: Recorded for Blues In Rhythm. First broadcast on 9 May 1964.
Track 1-6: Recorded for The Joe Loss Pop Show. First broadcast on 17 July 1964.
Track 1-7: Recorded for Blues In Rhythm. First broadcast on 9 May 1964.
Track 1-8: Recorded for Saturday Club. First broadcast on 26 October 1963.
Track 1-9: Recorded for Top Gear. First broadcast on 6 March 1965.
Track 1-10: Recorded for Top Gear. First broadcast on 6 March 1965.
Track 1-11: Recorded for Saturday Club. First broadcast on 18 September 1965.
Track 1-12: Recorded for Yeah Yeah. First broadcast on 30 August 1965.
Track 1-13: Recorded for Saturday Club. First broadcast on 18 September 1965.
Track 1-14: Recorded for Top Gear. First broadcast on 23 July 1964.
Track 1-15: Recorded for Saturday Club. First broadcast on 18 April 1964.
Track 1-16: Recorded for Saturday Club. First broadcast on 18 September 1965.
Track 1- 17: Recorded for Blues In Rhythm. First broadcast on 9 May 1964.
Track 1-18: Recorded for Blues in Rhythm. First broadcast on 9 May 1964.
Track 2-1: Recorded for Saturday Club. First broadcast on 8 February 1964.
Track 2-2: Recorded for Saturday Club. First broadcast on 18 April 1964.
Track 2-3: Recorded for The Joe Loss Pop Show. First broadcast on 10 April, 1964.
Track 2-4: Recorded for The Joe Loss Pop Show. First broadcast on 17 July 1964.
Track 2-5: Recorded for Saturday Club. First broadcast on 8 February 1964.
Track 2-6: Recorded for The Joe Loss Pop Show. First broadcast on 17 July 1964.
Track 2-7: Recorded for Top Gear. First broadcast on 6 March 1965.
Track 2-8: Recorded for The Joe Loss Pop Show. First broadcast on 10 April, 1964.
Track 2-9: Recorded for Rhythm And Blues (BBC World Service). First broadcast on 31 October 1964.
Track 2-10: Recorded for Saturday Club. First broadcast on 18 April, 1964.
Track 2-11: Recorded for Top Gear. First broadcast on 23 July 1965.
Track 2-12: Recorded for Top Gear. First broadcast on 23 July 1965.
Track 2-13: Recorded for Saturday Club. First broadcast on 18 April, 1964.
Track 2-14: Recorded for Rhythm And Blues (BBC World Service). First broadcast on 31 October 1964.
1-1. Come On 2:021-2. (I Can't Get No) Satisfaction 3:461-3. Roll Over Beethoven 2:191-4. The Spider And The Fly 3:141-5. Cops And Robbers 3:441-6. It's All Over Now 3:181-7. Route 66 2:321-8. Memphis, Tennesse 2:221-9. Down The Road Apiece 2:011-10. The Last Time 3:101-11. Cry To Me 3:071-12. Mercy, Mercy 2:541-13. Oh! Baby (We Got A Good Thing Goin') 1:491-14. Around And Around 2:451-15. Hi Heel Sneakers 1:561-16. Fannie Mae 2:111-17. You Better Move On 2:461-18. Mona 2:58. Bonus Tracks 2-1. I Wanna Be Your Man 1:532-2. Carol 2:322-3. I'm Moving On 2:072-4. If You Need Me 2:012-5. Walking The Dog 2:592-6. Confessin' The Blues 2:262-7. Everybody Needs Somebody To Love 3:342-8. Little By Little 2:312-9. Ain't That Loving You Baby 1:562-10. Beautiful Delilah 2:112-11. Crackin' Up 2:172-12. I Can't Be Satisfied 2:312-13. I Just Want To Make Love To You 2:162-14. 2120 South Michigan Avenue 3:48
Made By Sony DADCMixed At Abbey Road StudiosMastered At Abbey Road StudiosPhonographic Copyright (p) Promotone B.V.Copyright (c) Promotone B.V.Phonographic Copyright (p) ABKCO Music And Records, Inc.Copyright (c) ABKCO Music And Records, Inc.Data provided by Discogs
Made By Sony DADC Mixed At Abbey Road Studios Mastered At Abbey Road Studios Phonographic Copyright (p) Promotone B.V. Copyright (c) Promotone B.V. Phonographic Copyright (p) ABKCO Music And Records, Inc. Copyright (c) ABKCO Music And Records, Inc.
A BBC recording
For all tracks that have been through Abbey Road's new de-mix process, original BBC master tapes and transcription discs have been used wherever possible to ensure the best available sources. The de-mix process then gives the engineers access to the individual instrumentation and vocals within the track so they can be rebalanced and remixed into a fuller sounding performance.
Gatefold Images (L-R): Keystone Features / Stringer, Phil Ochs Archives / Stringer, Giancarlo BOTTI / Contributor, Stanley Bielecki / ASP / Contributor.
Booklet Images: Philip Townsend Archives (2-3), Pictorial Press Ltd. / Alamy Stock Photo (5), Michael Ochs Archives / Stringer (6,10), Dezo Hoffman / REX / Shutterstock (9), CBS Photo Archive / Contributor (12)
Track 1-1: Recorded for Saturday Club. First broadcast on 26 October 1963.
Track 1-2: Recorded for Saturday Club. First broadcast on 18 September 1965.
Track 1-3: Recorded for Saturday Club. First broadcast on 26 October 1963.
Track 1-4: Recorded for Yeah Yeah. First broadcast on 30 August 1965.
Track 1-5: Recorded for Blues In Rhythm. First broadcast on 9 May 1964.
Track 1-6: Recorded for The Joe Loss Pop Show. First broadcast on 17 July 1964.
Track 1-7: Recorded for Blues In Rhythm. First broadcast on 9 May 1964.
Track 1-8: Recorded for Saturday Club. First broadcast on 26 October 1963.
Track 1-9: Recorded for Top Gear. First broadcast on 6 March 1965.
Track 1-10: Recorded for Top Gear. First broadcast on 6 March 1965.
Track 1-11: Recorded for Saturday Club. First broadcast on 18 September 1965.
Track 1-12: Recorded for Yeah Yeah. First broadcast on 30 August 1965.
Track 1-13: Recorded for Saturday Club. First broadcast on 18 September 1965.
Track 1-14: Recorded for Top Gear. First broadcast on 23 July 1964.
Track 1-15: Recorded for Saturday Club. First broadcast on 18 April 1964.
Track 1-16: Recorded for Saturday Club. First broadcast on 18 September 1965.
Track 1- 17: Recorded for Blues In Rhythm. First broadcast on 9 May 1964.
Track 1-18: Recorded for Blues in Rhythm. First broadcast on 9 May 1964.
Track 2-1: Recorded for Saturday Club. First broadcast on 8 February 1964.
Track 2-2: Recorded for Saturday Club. First broadcast on 18 April 1964.
Track 2-3: Recorded for The Joe Loss Pop Show. First broadcast on 10 April, 1964.
Track 2-4: Recorded for The Joe Loss Pop Show. First broadcast on 17 July 1964.
Track 2-5: Recorded for Saturday Club. First broadcast on 8 February 1964.
Track 2-6: Recorded for The Joe Loss Pop Show. First broadcast on 17 July 1964.
Track 2-7: Recorded for Top Gear. First broadcast on 6 March 1965.
Track 2-8: Recorded for The Joe Loss Pop Show. First broadcast on 10 April, 1964.
Track 2-9: Recorded for Rhythm And Blues (BBC World Service). First broadcast on 31 October 1964.
Track 2-10: Recorded for Saturday Club. First broadcast on 18 April, 1964.
Track 2-11: Recorded for Top Gear. First broadcast on 23 July 1965.
Track 2-12: Recorded for Top Gear. First broadcast on 23 July 1965.
Track 2-13: Recorded for Saturday Club. First broadcast on 18 April, 1964.
Track 2-14: Recorded for Rhythm And Blues (BBC World Service). First broadcast on 31 October 1964.
1-1. Come On 2:021-2. (I Can't Get No) Satisfaction 3:461-3. Roll Over Beethoven 2:191-4. The Spider And The Fly 3:141-5. Cops And Robbers 3:441-6. It's All Over Now 3:181-7. Route 66 2:321-8. Memphis, Tennesse 2:221-9. Down The Road Apiece 2:011-10. The Last Time 3:101-11. Cry To Me 3:071-12. Mercy, Mercy 2:541-13. Oh! Baby (We Got A Good Thing Goin') 1:491-14. Around And Around 2:451-15. Hi Heel Sneakers 1:561-16. Fannie Mae 2:111-17. You Better Move On 2:461-18. Mona 2:58. Bonus Tracks 2-1. I Wanna Be Your Man 1:532-2. Carol 2:322-3. I'm Moving On 2:072-4. If You Need Me 2:012-5. Walking The Dog 2:592-6. Confessin' The Blues 2:262-7. Everybody Needs Somebody To Love 3:342-8. Little By Little 2:312-9. Ain't That Loving You Baby 1:562-10. Beautiful Delilah 2:112-11. Crackin' Up 2:172-12. I Can't Be Satisfied 2:312-13. I Just Want To Make Love To You 2:162-14. 2120 South Michigan Avenue 3:48
Barcode and Other Identifiers:
Barcode 6 02567 02740 9Matrix / Runout Sony DADC [Universal Logo] 6702741V2 15 A01Mastering SID Code IFPI L555Mould SID Code IFPI 945SMatrix / Runout Sony DADC [Universal Logo] 6702742V2 15 A02Mastering SID Code IFPI L555Mould SID Code IFPI 945RMatrix / Runout Sony DADC [Universal Logo] 6702741V2 15 A02Matrix / Runout Sony DADC [Universal Logo] 6702742V2 15 A03Mastering SID Code IFPI L555Mould SID Code IFPI 947PMould SID Code IFPI 94K4Matrix / Runout Sony DADC [Universal Logo] 6702742V2 15 A02Matrix / Runout Sony DADC [Universal Logo] 6702742V2 15 A00Mastering SID Code IFPI L555Mould SID Code IFPI 94V2Mould SID Code IFPI 9435Label Code LC22670Rights Society BIEMRights Society SDRM
Made By Sony DADCMixed At Abbey Road StudiosMastered At Abbey Road StudiosPhonographic Copyright (p) Promotone B.V.Copyright (c) Promotone B.V.Phonographic Copyright (p) ABKCO Music And Records, Inc.Copyright (c) ABKCO Music And Records, Inc.Data provided by Discogs