Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
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For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock Style:Brit Pop, Indie Rock
General notes about this release (please note: our version may differ a little. see the comments above):
Card Gatefold Sleeve with 12-page staple-bound insert booklet featuring band portrait photography and credits.
Recorded at State Of The Ark Studios, London.
Additional production by Chris Potter for Z Management.
Published by Richard Ashcroft Music admin by Kobalt Music Publishing/Copyright Control.
Richard: Dedicated with all my love to my wife and our beautiful sons. Love to all my significant others. Thanks to Brian for 'bright prosaic malls' and special thanks to Chris, Jazz and Tim.
Nick: All my family and friends, notably Em, Chef Simon Doherty, Mig Schillace, Charley Bickers, Northern Souls massive, Walsh family. You lot in Manchester and Bath. Long overdue thanks due: John Horsley, Shaun Jones, the Foggerr family, Phil Latham, Ray Chan,. Our brilliant crew, colleagues and extended family; notably the long suffering Caron Malcolm, Adey Wilson and Gill Massey. Also my brethren in the Verve. Many thanks. Apologies to anyone forgotten in the rush.
Simon: A big thank you to Myra, Jude, Jonah, Margaret and Graham for being strong during my absence. Thanks to the Brownlow Boys. Thanks to Tim, Cam and Chris for perseverance, a special thanks to Tim Bran for such creative editing and finally a special thanks to everyone at Big Life for making this happen. Respect...
Pete: Thanks to Pam, Joe, Ben and Isaac and family, also, everyone involved in the record.
1. Sit And Wonder 6:522. Love Is Noise 5:293. Rather Be 5:384. Judas 6:185. Numbness 6:346. I See Houses 5:377. Noise Epic 8:138. Valium Skies 4:349. Columbo 7:3010. Appalachian Springs 7:33
Barcode and Other Identifiers:
Barcode 5099923558427Rights Society SDRM / BIEMLabel Code LC0299Matrix / Runout manufactured by optimal media production A840397-01Mastering SID Code ifpi L573Mould SID Code IFPI 9726Mould SID Code IFPI 9709Mould SID Code IFPI 9744Mould SID Code IFPI 9746Mould SID Code ifpi CC326
Phonographic Copyright (p) Virgin Records Ltd.Copyright (c) Virgin Records Ltd.Copyright (c) EMI Records Ltd.Published By Richard Ashcroft MusicPublished By Kobalt Music PublishingPublished By Copyright ControlProduced For Z ManagementRecorded At State Of The ArkManufactured By Optimal Media ProductionData provided by Discogs
Barcode and Other Identifiers:
Barcode 5099923558427 Rights Society SDRM / BIEM Label Code LC0299 Matrix / Runout manufactured by optimal media production A840397-01 Mastering SID Code ifpi L573 Mould SID Code IFPI 9726 Mould SID Code IFPI 9709 Mould SID Code IFPI 9744 Mould SID Code IFPI 9746 Mould SID Code ifpi CC326
Phonographic Copyright (p) Virgin Records Ltd. Copyright (c) Virgin Records Ltd. Copyright (c) EMI Records Ltd. Published By Richard Ashcroft Music Published By Kobalt Music Publishing Published By Copyright Control Produced For Z Management Recorded At State Of The Ark Manufactured By Optimal Media Production
Card Gatefold Sleeve with 12-page staple-bound insert booklet featuring band portrait photography and credits.
Recorded at State Of The Ark Studios, London.
Additional production by Chris Potter for Z Management.
Published by Richard Ashcroft Music admin by Kobalt Music Publishing/Copyright Control.
Richard: Dedicated with all my love to my wife and our beautiful sons. Love to all my significant others. Thanks to Brian for 'bright prosaic malls' and special thanks to Chris, Jazz and Tim.
Nick: All my family and friends, notably Em, Chef Simon Doherty, Mig Schillace, Charley Bickers, Northern Souls massive, Walsh family. You lot in Manchester and Bath. Long overdue thanks due: John Horsley, Shaun Jones, the Foggerr family, Phil Latham, Ray Chan,. Our brilliant crew, colleagues and extended family; notably the long suffering Caron Malcolm, Adey Wilson and Gill Massey. Also my brethren in the Verve. Many thanks. Apologies to anyone forgotten in the rush.
Simon: A big thank you to Myra, Jude, Jonah, Margaret and Graham for being strong during my absence. Thanks to the Brownlow Boys. Thanks to Tim, Cam and Chris for perseverance, a special thanks to Tim Bran for such creative editing and finally a special thanks to everyone at Big Life for making this happen. Respect...
Pete: Thanks to Pam, Joe, Ben and Isaac and family, also, everyone involved in the record.
℗ 2008 The copyright in this sound recording is owned by Virgin Records Ltd. © 2008 Virgin Records Ltd.
© 2008 EMI Records Ltd.
Printed in the EU.
1. Sit And Wonder 6:522. Love Is Noise 5:293. Rather Be 5:384. Judas 6:185. Numbness 6:346. I See Houses 5:377. Noise Epic 8:138. Valium Skies 4:349. Columbo 7:3010. Appalachian Springs 7:33
Barcode and Other Identifiers:
Barcode 5099923558427Rights Society SDRM / BIEMLabel Code LC0299Matrix / Runout manufactured by optimal media production A840397-01Mastering SID Code ifpi L573Mould SID Code IFPI 9726Mould SID Code IFPI 9709Mould SID Code IFPI 9744Mould SID Code IFPI 9746Mould SID Code ifpi CC326
Phonographic Copyright (p) Virgin Records Ltd.Copyright (c) Virgin Records Ltd.Copyright (c) EMI Records Ltd.Published By Richard Ashcroft MusicPublished By Kobalt Music PublishingPublished By Copyright ControlProduced For Z ManagementRecorded At State Of The ArkManufactured By Optimal Media ProductionData provided by Discogs