Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock, Pop Style:Alternative Rock, Britpop
Tracklist:
A1. Bitter Sweet Symphony A2. Sonnet A3. The Rolling People B1. The Drugs Don't Work B2. Catching The Butterfly B3. Neon Wilderness C1. Space And Time C2. Weeping Willow C3. Lucky Man C4. One Day D1. This Time D2. Velvet Morning D3. Come On
General notes about this release (please note: our version may differ a little. see the comments above):
Originally released 1997 as HUTLP45.
Includes printed inner sleeves.
All tracks published by Kobalt Music Publishing Limited, except track 1 published by Abkco Music Inc.
This version began to appear in 2022 and is identical to [r9057753 (rim text version) except that it is cut by Stuart Hawkes at Metropolis Mastering ("STU" in runouts) and has black poly lined inner sleeves in addition to printed inner sleeves.
Other versions available are:
- with the band pictured on each side label with RIM text but different runout etchings
- with the band pictured on each side label without RIM text
- with black side labels
- the mailing sleeve edition (limited to 5000 copies)
- the 2008 US reissue by [L=Capitol Records
Sourced from digital files prepared from the original half-inch tapes. Remastered by Chris Potter & Tony Cousins at Metropolis and Sabian at Fullsound. Lacquer on this version cut by Stuart Hawkes.
Barcode and Other Identifiers:
Barcode 6 02547 87014 8 Barcode 0602547870148 Matrix / Runout 4787041A STU. Matrix / Runout 4787014B Matrix / Runout 4787014C-2 Matrix / Runout 4787014 D Label Code LC03098 Rights Society BIEM/SDRM Other 4787013
Phonographic Copyright (p) Virgin Records Ltd. Copyright (c) Virgin Records Ltd. Remastered At Metropolis Mastering Remastered At Fullsound Mastering Lacquer Cut At Metropolis Mastering Pressed By Optimal Media GmbH Published By Kobalt Music Publishing Ltd. Published By ABKCO Music, Inc.