Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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A1. There's Nothing To Be Scared Of 2:47 A2. Auster 3:49 A3. Margaret Anne 4:53 A4. Kaleidoscopic Visions 3:47 A5. MHA 4:25 A6. Still (Quiet) 1:28 B1. The Madim 9:56 B2. Extensions 12 4:29 B3. Logue 5:16 B4. See How They Run 4:17
General notes about this release (please note: our version may differ a little. see the comments above):
Yellow vinyl LP inside a heavyweight reverse-board jacket, with an insert sheet, obi strip and poly-lined innersleeve. Pressed on 'biovinyl' at Optimal in Germany, with lacquers cut at Electric Mastering in London.
Barcode and Other Identifiers:
Rights Society BMI Barcode 5060180327422
Designed At Studio Camo Recorded At Fish Factory Studio Recorded At St. Lukes Mastered At Electric Mastering Published By Warp Publishing Published By BMG Published By Copyright Control
