Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock Style:Blues Rock, Lo-Fi, Experimental
Tracklist:
A1. Top Of The Hill A2. Hoist That Rag A3. Sins Of My Father B1. Shake It B2. Don't Go Into That Barn B3. How's It Gonna End B4. Metropolitan Glide C1. Dead And Lovely C2. Circus C3. Trampled Rose C4. Green Grass D1. Baby Gonna Leave Me D2. Clang Boom Steam D3. Make It Rain D4. Day After Tomorrow D5. Chickaboom (Hidden Track)
General notes about this release (please note: our version may differ a little. see the comments above):
Gatefold sleeve with printed inner sleeves including lyrics.
Les Claypool appears courtesy of Prawn Song Records
Track D5 is not listed, it's title is only mentioned in external sources.
Pressing plant from matrix.
Barcode and Other Identifiers:
Barcode 8 714092 667813 Barcode 8714092667813 Label Code LC02576 Rights Society BIEM/STEMRA Rights Society ASCAP Matrix / Runout 56204 1A 86678-1 Matrix / Runout 56204 2B 86678-1 Matrix / Runout 56204 1C 86678-1 Matrix / Runout 56204 1D 86678-1
Phonographic Copyright (p) Anti, Inc. Copyright (c) Anti, Inc. Copyright (c) Jalma Music Distributed By Epitaph Europe Manufactured By Epitaph Europe Mastered At The Mastering Lab Pressed By Record Industry