Tom Waits - Small Change (LP, Album, RE)

Condition:
Media:  Near Mint (NM or M-)
Sleeve:  Very Good Plus (VG+)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

€22,99

What determines the price? Read more.

What determines the price?

Why is one record cheaper than another?

Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.

Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.

What makes the difference in price?

For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.

Which variant should I choose?

If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.

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Genre: Jazz, Blues

Tracklist:
A1. Tom Traubert's Blues 6:40
A2. Step Right Up 5:39
A3. Jitterbug Boy 3:41
A4. I Wish I Was In New Orleans 4:50
A5. The Piano Has Been Drinking (Not Me) 3:37
B1. Invitation To The Blues 5:20
B2. Pasties And A G-String 2:32
B3. Bad Liver And A Broken Heart 4:46
B4. The One That Got Away 4:00
B5. Small Change 5:03
B6. I Can't Wait To Get Off Work 3:20



 



General notes about this release (please note: our version may differ a little. see the comments above):


No printed inner sleeve.
Label sides numbering: “SIDE 1”, “SIDE 2”

Similar versions:
[r=594423
[r=7923571
[r=8840893
[r=14182935
[r=14200894

— Back cover:
Shelly Manne appears through the courtesy of Flying Dutchman Productions Ltd.
Recorded complete and direct to 2-Track Stereo Tape at Wally Heider Recording, Hollywood, California on July 15, 19, 20, 21, 29, 1976.
Disc mastering: [… Elektra Sound Recorders, Los Angeles.
Special thanks to Shelly Manne for his drumistikly pasturized conktribution and the 8 x 10 glossy and the neck tie.
Thanks to Frank Vicari, Fitz Jenkins, Chip White, John Forsha (The Noctural Emmissions, N.Y.C.)
Thanks to John Desco
Herb Cohen – All night at Winchells Donut Shop, June 21, 1976.
A Mr. Bones Production
℗ & © 1976 Elektra/Asylum/Nonesuch Records […
Made in Germany by WEA Musik GmbH [W logo A Warner Communications Company

— Labels:
℗ 1976 Asylum Records
Made in Germany by WEA Musik GmbH [W logo A Warner Communications Company
Boxed GEMA and non boxed STEMRA (see label pics)

 

Barcode and Other Identifiers:

Rights Society GEMA, STEMRA
Label Code LC 2648
Price Code U
Price Code WE 341
Matrix / Runout *STRAWBERRY(G)* R/S Alsdorf 53050 A-2XX
Matrix / Runout R/S Alsdorf 53050 B-3 GB STRAWBERRY(G)

 

Phonographic Copyright (p) Asylum Records
Recorded At Wally Heider Recording Studio, Los Angeles
Mastered At Elektra Sound Recorders
Lacquer Cut At Tonstudio Pfanz
Copyright (c) Elektra/Asylum/Nonesuch Records
Phonographic Copyright (p) Elektra/Asylum/Nonesuch Records
Made By WEA Musik GmbH
Record Company Warner Communications

Data provided by Discogs
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