G (Good) – Heavily played, noise likely; cover with visible damage.
Generic – Original cover missing, record comes in a generic sleeve.
Comments:
Outerbox shows some light wear and has a small tear (0,5 cm) in spine
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General notes about this release (please note: our version may differ a little. see the comments above):
Box-Set anthology released by MuziekGroep Nederland includes recordings previously unavailable ranging from early recordings from 1959 to contemporary recording of Cours des nuages (completed in 1999 by Ad Wammes).
A CD-ROM track (on cd 1) contains three essays by Kees Arntzen and René Uijlenhoet, program notes by Ton Bruynèl on his compositions, lyrics & photographs.
1-1. Serène (For Flute And Soundtracks, 1978) 5:521-2. Soft Song (For Oboe And Soundtracks, 1974) 8:121-3. Save The Whale (1989/91) 9:121-4. Toccare (For Piano And Soundtracks, 1979) 10:171-5. Denk Mal Das Denkmal (For Bass Baritone And Soundtracks, 1984) 7:241-6. Chatarra (Schrootsonate, For Harpsichord And Soundtracks, 1990) 6:551-7. Dust (For Organ And Soundtracks, 1992) 7:511-8. Reflexes (For Electronic Soundtrackss Derived From A Burmese Drum, 1961) 4:342-1. Looking Ears (For Bass Clarinet, Piano And Soundtracks, 1972) 8:572-2. From The Tripod (For Female Choir And Soundtracks, 1980) 15:272-3. Chicharras (For Soundtracks With Male Voice, 1985) 12:292-4. Translucent II (For String Orchestra And Soundtracks, 1977) 9:422-5. Listening Landscape (For Soundtracks, 1977) 15:503-1. Brouillard (For Piano And Soundtracks, 1994) 8:543-2. Le Jardin (For Female Voice, Alto Flute, Harpsichord And Soundtracks, 1993) 13:003-3. Intra (For Bass Clarinet, Soundtracks And Ring Modulator, 1971) 10:203-4. Elegy (For Soundtracks And Female Voice, ad libitum, 1972) 10:233-5. Continuation (For Choir And Soundtracks, 1985) 10:233-6. Reliëf (For Organ And Soundtracks, 1964) 10:433-7. Mobile (For Electronic Soundtracks, 1965) 4:074-1. Phases (For Orchestra And Soundtracks, 1974) 18:274-2. Collage Resonance II (For Radiophonic Soundtracks, 1963) 17:084-3. Rain (For Four Pianists, Two Pianos And Soundtracks, 1982) 9:244-4. Mobile II (For Electronic Soundtracks, 1971) 6:334-5. Non Sono Un Uccello (For Tenor, Bass Baritone And Soundtracks, 1989) 7:214-6. Reliëf (For Organ And Soundtracks, 1964) 10:535-1. Ascolta (For Tenor, Choir And Soundtracks, 1988) 10:515-2. Introduction On Studie By Ton Bruynèl 1:115-3. Studie (For Piano And Soundtracks, 1959) 4:385-4. Coda Voor K. (For Radiophonic Soundtracks, 1963) 8:435-5. Dialogue I (For Bass Clarinet, Soundtracks And Ring Modulator, 1976) 8:445-6. Resonance I (For Electronic Soundtracks, 1962) 14:025-7. Arc (For Organ And Soundtracks, 1966) 12:005-8. Le Temps Tricheur (For Choir And Soundtracks, 1994) 7:506-1. Décor (Electronic Ballet Music, 1968) 8:336-2. Imker I (For Four Flutes And Soundtracks, 1995) 8:516-3. Signs (For Wind Quintet And Soundtracks, 1974) 12:026-4. Kolom (For Organ And Soundtracks, 1987) 11:376-5. Cours Des Nuages (For String Orchestra And Soundtracks, 1999) 18:27
Barcode and Other Identifiers:
Barcode 8713309102123SPARS Code ADD
Copyright (c) MuziekGroep NederlandRecorded At Wandelkerk, MiddelburgRecorded At Lambertuskerk, VughtRecorded At Tivoli, UtrechtRecorded At Muziekcentrum Vredenburg, UtrechtRecorded At Westerkerk, AmsterdamRecorded At Jacobikerk, UtrechtRecorded At Hervormde Kerk KortenhoefRecorded By NOSRecorded By NCRV StudioRecorded By NPS StudiosRecorded By AVRO StudioRecorded By KRO StudiosData provided by Discogs
Barcode and Other Identifiers:
Barcode 8713309102123 SPARS Code ADD
Copyright (c) MuziekGroep Nederland Recorded At Wandelkerk, Middelburg Recorded At Lambertuskerk, Vught Recorded At Tivoli, Utrecht Recorded At Muziekcentrum Vredenburg, Utrecht Recorded At Westerkerk, Amsterdam Recorded At Jacobikerk, Utrecht Recorded At Hervormde Kerk Kortenhoef Recorded By NOS Recorded By NCRV Studio Recorded By NPS Studios Recorded By AVRO Studio Recorded By KRO Studios
