Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Classical Style:Medieval, Religious
Tracklist:
A1. Salve Regina A2. Sanctorum Meritis A3. Jesu Corona Virginum A4. Magnificat A5. Tierce A6. Libera Me A7. Chorus Angelorum & Clementissime B1. Ceremony Of Taking The Veil B2. Victimae Paschali B3. Lumen Hilare B4. Vexilla Regis B5. Improperia B6. Fortem Virili Pectore B7. Ave Maria Stella B8. Gaudeamus Omnes In Domino . Gregorian Chants, Volume II C1. Christus Natus Est C2. Christe Redempter C3. Hodie Christus Natus Est C4. Litany Of Easter Eve C5. Gloria C6. Exultet C7. Salve Fieste Dies D1. Surrexit Dominus Vere D2. Vidi Aquam D3. Sunday Processional D4. Complines D5. Improvsation On "Salve Fieste Dies" D6. Monastery Bells . Gregorian Chants, Volume III E1. Mass Of The Immacculate Conception E2. Vex Turturis E3. Nolite Timere E4. Lumen Hilare E5. Wandregisilus E6. Annue, Christe E7. Beata Wandregisilus E8. Salve, Virilis Pectoris F1. Regem Cui Omnia Vivunt F2. Credo Guod Redemptor F3. Miserere Et Parce F4. Recordare, Virgo Mater F5. Mandatum F6. Super Flumina F7. Cantus Mariales . Gregorian Chants, Volume IV G1. Kyrie (2nd Ecclesiastical Mode) Vat. III Ad Lib. Cisterc. VI G2. Sanctus (3rd Ecclesiastical Mode)-Agnus (8th Ecclesiastical Mode) Vat. VI-Cisterc. VI G3. Kyrie (1st Ecclesiastical Mode)-Vat. 1 Ad Lib. Cisterc I Ad Lib. G4. Gloria (6th Ecclesiastical Mode) Vat. II-Cisterc, XIII G5. Kyrie (3rd Ecclesiastical Mode) Vat. II & XVI-Cisterc. V & XV G6. Sanctus-Agnus (4th Ecclesiastical Mode) Vat. III-Cisterc. Ad Lib. G7. Kyrie-Gloria (1st Ecclesiastical Mode) Vat. XIII-Cisterc. XII G8. Kyrie (8th Ecclesiastical Mode) Vat. I & XIV-Cisterc. XI & XIII G9. Kyrie (1st Ecclesiastical Mode) & III Ad Lib. Vat. X & VII Ad Lib.-Cisterc. VIII H1. Sanctus-Agnus & Sanctus (2nd Ecclesiastical Mode) Vat. & XII XVI-Cist. XII & XV H2. Kyrie-Sanctus-Agnus Dei (Ed. Vat. XVI) H3. Gloria Angelorum (Ed. Vat. XVIII) H4. Kyrie (Vat. XVIII) & Kyrie (Firmator-Sancte-Vat. VIII, Ad Lib.) H5. Sanctus & Agnus (Vat. XVIII); Agnus (Vat. X Ad Lib.), Ite Missa Est (Vat. XV) H6. Kyrie (Orbis Factor XI) & Kyrie (Vat. X Ad Lib.) H7. Gloria (Ambrosian Chant) H8. Sanctus (Vat. XIII); Agnus (Vat. X); Ite Missa Est (Vat XI) H9. Gloria (Vat. XV)
General notes about this release (please note: our version may differ a little. see the comments above):
Correct tracklisting on sides G and H.
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4 LP box-set.
Electronically re-recorded to simulate stereo.
