Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Classical
General notes about this release (please note: our version may differ a little. see the comments above):
1-01. Howard Shelley, Ulster Orchestra - Piano Concerto In G, Op. 1, No. 3: II. Rondo: Allegro 5:001-02. Bart Coen, La Petite Bande, Sigiswald Kuijken - Concerto For Recorder, Oboe, Violin And Basso Continuo In G, TWV 43: G6: III. Allegro 2:531-03. SWR Vokalensemble Stuttgart, Marcus Creed - Drei Geistliche Gesange: II. Jesusgebet 1:341-04. Martha Argerich, Daniel Barenboim - Sonate Voor 2 Piano's In D, K448: III. Allegro Molto 6:341-05. Nicola Benedetti, Phil Cunningham (2) - Aberlady 3:491-06. Jonas Kaufmann, Orchester Der Deutschen Oper Berlin, Donald Runnicles - Die Walkure: Akte 1: Ein Schwert Verhieß Mir Der Vater 6:261-07. Lisa Batiashvili, Symphonie-Orchester Des Bayerischen Rundfunks, Esa-Pekka Salonen - Seven Dolls' Dances: I. Lyrical Waltz 3:291-08. Katrien Baerts, Het Collectief, Reinbert de Leeuw - Six Songs After Poems By Maeterlinck, Op.13: I. Die Drei Schwestern 3:351-09. Camerata RCO, Gustavo Gimeno - Symphony 9 In D: Ending 3rd Movement (Fragment) 3:271-10. Gary Cooper (2), B'Rock Orchestra - Keyboard Concerto 5 In F, BWV 1056: II. Largo 2:491-11. Concerto Italiano, Rinaldo Alessandrini - Magnificat (Fragment) 3:141-12. Arcadi Volodos - Musica Callada: Book 1: I. Angelico 2:041-13. Isabelle van Keulen Ensemble - Libertango 3:581-14. Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano - Il Signor Bruschino 4:581-15. Jonas Kaufmann - Paganini: Girls Were Made To Love And Kiss 3:292-01. Miloš Karadaglić - El Sombrero De Tres Picos: Danza Del Molinero 2:592-02. Pumeza Matshikiza, P. Matshikiza, Aurora Orchestra, Iain Farrington - The Click Song 2:312-03. James O'Donnell (2), The London Philharmonic Orchestra, Yannick Nézet-Séguin - Concerto For Organ, Strings And Timpani In G: IV. Tempo Allegro. Molto Agitato 2:412-04. Ludovico Einaudi, Federico Mecozzi, Antonio Leofreddi, Marco Decimo, Francesco Arcuri, Alberto Fabris, Paolo Giudici - Time Lapse 5:352-05. Arabella Steinbacher, Robert Kulek - Sonata For Violin And Piano in A: I. Allegretto Ben Moderato 6:342-06. Ursula Schoch, Marcel Worms - Spiegel Im Spiegel 9:122-07. Voces8 - Where I Sleep 4:132-08. Van Baerle Trio - Piano Trio 1 In D, Op. 49: II. Andante Con Moto Tranquillo 6:322-09. Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim - Cello Concerto In E, Op. 85: II. Lento - Allegro Molto 4:302-10. Igor Levit - Partita 3 In A, BWV 827: I. Fantasia 2:592-11. Collegium Vocale, Royal Flemish Philharmonic, Philippe Herreweghe - Stabat Mater, Op. 58: X: Quando Corpus Morietur 7:352-12. Alison Balsom - Gymnopedie 3 2:342-13. Daniel Hope, Kungliga Filharmonikerna, Alexander Shelley - Love Theme 3:012-14. Sinfonieorchester Basel, Dennis Russell Davies - Symphony 4 "Heroes": I. Heroes 9:293-1. Isabelle van Keulen - Concerto For Violin, Piano And Strings In D, MWV O4: I. Allegro 17:133-2. Isabelle van Keulen - Concerto For Violin, Piano And Strings In D, MWV O4: II. Adagio 8:103-3. Isabelle van Keulen - Concerto For Violin, Piano And Strings In D, MWV O4: III. Allegro Molto 8:56