Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Classical Style:Classical, Opera
General notes about this release (please note: our version may differ a little. see the comments above):
1-1. London Symphony Orchestra - Scheherazade "The Young Prince And The Young Princess" (From Nijinsky) 1-2. Maria Callas - O Mio Babbino Caro “Gianni Schicchi” (From A Room With A View) 1-3. London Symphony Orchestra - Intermezzo From "Cavalleria Rusticana" (From Godfather III) 1-4. Dubravka Tomsic - Sonata No. 14 Op. 27 Nr. 2 "Moonlight" (From The Pianist) 1-5. RCA Italiana Opera Orchestra - Nessun Dorma From "Turandot" (From Bend It Like Beckham) 1-6. Royal Philharmonic Orchestra - Meditation From "Thais" (From Titanic) 1-7. Royal Philharmonic Orchestra - Hallelujah Chorus From "The Messiah" (From Bridget Jone's Diary) 1-8. London Symphony Orchestra - Piano Concerto No. 21, 2nd Movement (From Elvira Madiga) 1-9. Carlina Carr - Love's Dream (From All About Eve) 1-10. Erna Berger, Cesare Siepi - La Ci Derem "Don Giovanni" (From Babette's Feast) 1-11. Stuttgarter Kammerorchester - Minuet From String Quintet, Op. 13/5 (From The Ladykillers) 1-12. Stuttgarter Kammerorchester - Eine Kleine Nachtmusik "Romance" (From Bonfire Of The Vanities) 1-13. London Symphony Orchestra - New World Symphony From "The New World" - Largo (From Clear And Present Danger) 2-1. Royal Philharmonic Orchestra - Romeo And Juliet (Excerpt) (From Wayne's World) 2-2. Jussi Björling - Au Fond Du Temple Saint From "The Pearlfishers" (From Gallipoli) 2-3. Royal Philharmonic Orchestra - Air From Suite No. 3 (From The Spy Who Loved Me) 2-4. Maria Callas - Vissi D'Arte From "Tosca" (From Faithful) 2-5. Wiener Symphoniker - Clarinet Concerto, 2nd Movement (From American Gigolo) 2-6. Peter Schmalfuß - Nocturne Op. 9 Nr. 2 (From The Blue Lagoon) 2-7. Jussi Björling - Celeste Aida From "Aida" (From The Great Caruso) 2-8. Berliner Philharmoniker - Violin Concerto, 2nd Movement (From A Month In The Country) 2-9. Royal Philharmonic Orchestra - O Silver Moon From "Rusalka" (From Driving Miss Daisy) 2-10. Carlina Carr - Für Elise (From Rosemary's Baby) 2-11. London Symphony Orchestra - Adagio (From Rollerball) 2-12. London Symphony Orchestra - Wedding March From "A Midsummer Night's Dream" (From Four Weddings And A Funeral) 2-13. London Symphony Orchestra - Barcarolle From "The Tales Of Hoffman" (From Life Is Beautiful) 2-14. London Festival Orchestra - The Blue Danube Waltz (From Titanic)
