Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock Style:Rock & Roll, Rockabilly, Rhythm & Blues
Tracklist:
A1. Glen Cooper And His Jets - Sugar Mama A2. Johnny Watson (7) - Come To The Party A3. The Sly Fox - Tired Of Beggin' A4. Paul Carnes (2) - I'm A Mean Mean Daddy A5. Johnnie Kaye - Oh Pattie A6. Little Jacky Wayne - White Felt Hat A7. Lucky Wray - Got Another Baby A8. Webster Dunn, Jr. - Black & White Shoes A9. Johnny Lion (2) - Haunted Heart A10. Kanui & Lula - Tomi Tomi B1. Al Sims - Party B2. Hank England - My Little Kangaroo B3. Lightnin' Hopkins - Had A Gal Called Sal B4. Daniel James (15) - Rock Moon Rock B5. Clyde Arnold - I've Got A Baby B6. Kenny And Moe (The Blues Boys) - So Long, I'm Gone B7. Rufus Shoffner - Orbit Twist B8. Ric Cartey - My Babe B9. Jerry Ballard - Pinch Me B10. Henry Cording - Hiccough Rock
General notes about this release (please note: our version may differ a little. see the comments above):
White labels with red print.
A5: Accompanied by [a1214826, uncredited here.
Barcode and Other Identifiers:
Matrix / Runout FLAME-006-A Get Hold Of That Matrix / Runout FLAME-007-B
