Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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A1. Ólafur Arnalds - For Now I Am Winter (Nils Frahm rework) A2. Keaton Henson - Petrichor A3. Josin - In The Blank Space (New York Recordings) A4. Federico Albanese - The Lantern A5. Luke Howard (2), Shards (5) - Light Ascending A6. Sophie Hutchings - A Small Kind of Revival B1. Jean-Michel Blais - Le lac B2. Lambert (5) - Porcelain B3. Ólafur Arnalds, Nanna Bryndís Hilmarsdóttir - Particles B4. Guy Sigsworth - Nirai Kanai B5. Sebastian Plano - Éxta B6. Anatole (5) - No Ritual B7. Isobel Waller-Bridge - September
General notes about this release (please note: our version may differ a little. see the comments above):
Limited edition of 500 copies on clear opaque vinyl
Distributed By Decca Music Group Limited Record Company Universal Music B.V. Pressed By Optimal Media GmbH Phonographic Copyright (p) Mercury KX Copyright (c) Mercury KX
