Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz Style:Bop, Dixieland, Swing
Tracklist:
A1. Sidney Bechet And His New Orleans Feetwarmers - Jelly Roll Blues A2. Red Norvo All-Stars - Slam Slam Blues A3. The Charlie Parker All-Stars - Relaxin' At Camarillo A4. Art Tatum Trio - Dark Eyes A5. Buck Clayton Quintet - B.C. Blues B1. Coleman Hawkins Quartet - Honeysuckle Rose B2. Jack Teagarden And His Orchestra - Serenade To A Shylock B3. Erroll Garner Trio - Trio B4. Woody Herman And His Woodchoppers - Moon Burns B5. Rex Stewart And His Dixieland Jazz Band - Basin Street Blues
General notes about this release (please note: our version may differ a little. see the comments above):
This version does not have the "AB" underneath "Side 1"
A1: Recorded New York, April 27, 1950
A2: Recorded WOR Studios, NYC, June 6, 1945
A3: Recorded C.P. MacGregor Studios, Los Angeles, CA, February 26, 1947
A4: Recorded NYC, May 1, 1944
A5: Recorded NYC, June 7, 1945
B1: Recorded New York, November 8, 1954
B2: Recorded Brunswick Record Corp., NYC, April 30, 1938
B3: Recorded C.P. MacGregor Studios, Los Angeles, CA, February 19, 1947
B4: Recorded Hollywood, CA, September 21, 1946
B5: Recorded Boston June 1953
