Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz
Tracklist:
A1. The Cotton Pickers - I Wish I Could Shimmy Like My Sister Kate A2. Miff Mole's Molers - Original Dixieland One Step A3. Frankie Trumbauer And His Orchestra - Mississippi Mud A4. The Kentucky Grasshoppers - Makin' Friends A5. Louisiana Rhythm Kings - Basin Street Blues A6. Eddie Lang-Joe Venuti And Their All Star Orchestra - Beale Street Blues A7. Jack Teagarden And His Orchestra - Junk Man . Negro Combinations (1925-1929) B1. Clarence Williams' Blue Five - Papa De-Da-Da B2. Fletcher Henderson And His Orchestra - Sugar Foot Stomp (Dippermouth) B3. Duke Ellington And His Kentucky Club Orchestra - The Creeper B4. Duke Ellington And His Orchestra - Harlem River Quiver B5. James Price Johnson - You Can't Do What My Last Man Did B6. Fats Waller And His Buddies - Harlem Fuss B7. Louis Armstrong And His Orchestra - Knockin' A Jug B8. Henry "Red" Allen And His Orchestra - It Should Be You
General notes about this release (please note: our version may differ a little. see the comments above):
Olive cover with rust-colored script. Includes 4-page folder.
Recording dates & original release:
A1: ~Oct. 1922; Brunswick 2338
A2: August 30, 1927; Okeh 40932
A3: Jan. 20, 1928; Okeh 40979
A4: April 4, 1929; Banner 6360
A5: June 11, 1929; Vocalion 5815
A6: Oct. 22, 1931; Vocalion 15864
A7: Sept. 18, 1934; Brunswick 7652
B1: March 4, 1925; Okeh 8215
B2: May 29, 1925; Columbia 395-D
B3: Nov. 29, 1926; Vocalion 1077
B4: Dec. 19, 1927; Victor 21284
B5: July 17, 1923; Victor 19123; recorded in Camden, NJ
B6: March 1, 1929; Victor 38050
B7: March 5, 1929; Okeh 8703
B8: July 16, 1929; Victor 38073
All recorded in New York, unless otherwise noted
. White Assimilations And Adaptations (1922-1934)
Barcode and Other Identifiers:
Matrix / Runout FJ 2807 A MK Matrix / Runout FJ 2807 B MK [Plastylite "ear"]
Copyright (c) Folkways Records & Service Corp. Record Company Folkways Records & Service Corp. Pressed By Plastylite
