Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz Style:Big Band, Jazz-Funk, Jazz-Rock, Smooth Jazz
General notes about this release (please note: our version may differ a little. see the comments above):
1. Aloe Blacc - Life's So Hard 2. Dwele - What's Not Love 3. Rik Mol - Longface Feat. Nate James & Dutchflower 4. Perquisite - Silence Feat. Janne Schra & GMB 5. The Jazzinvaders - Why I 6. Afrocubism - Al Valven De Mi Carreta 7. Eliza Doolittle - So High 8. Southside Johnny - Umbrella In My Drink 9. Catherine Russell - Inside This Heart Of Mine 10. Chet Baker - Shifting Down
Barcode and Other Identifiers:
Rights Society STEMRAMatrix / Runout 2100002753398 DT3610-337 JAZZADELIC10.5Mastering SID Code IFPI LK97Mould SID Code IFPI 9R30
Phonographic Copyright (p) Argo Special Media B.V.Copyright (c) Argo Special Media B.V.Made By DTA SystemsGlass Mastered At TAKTData provided by Discogs
Barcode and Other Identifiers:
Rights Society STEMRA Matrix / Runout 2100002753398 DT3610-337 JAZZADELIC10.5 Mastering SID Code IFPI LK97 Mould SID Code IFPI 9R30
Phonographic Copyright (p) Argo Special Media B.V. Copyright (c) Argo Special Media B.V. Made By DTA Systems Glass Mastered At TAKT
