Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock Style:Instrumental, Rock & Roll
Tracklist:
A1. Young John Watson - Space Guitar A2. Scotty Moore Trio - Have Guitar Will Travel A3. B.B. Cunningham - Electrode A4. B.B. Cunningham - Scratchin' A5. Eddie Skelton - Curly A6. The Virtues - Guitar Boogie Shuffle A7. The Virtues - Guitar In Orbit A8. The Vigilantes - Eclipse B1. The Hawk (5) - In The Mood B2. The Vigilantes - Men In Space B3. The Viscounts - Harlem Nocturne B4. Duane Eddy - Caravan Part 1 B5. Duane Eddy - Caravan Part 2 B6. Ronnie & The Rainbows - Loose Ends B7. The Fendermen - Torture B8. The Fireballs - Good Soul
General notes about this release (please note: our version may differ a little. see the comments above):
Back cover: Album compiled, arranged and produced exclusively for Union Pacific by Ian Sippen & Peter Shertser, 1972.
Label: (P) 1974
Barcode and Other Identifiers:
Matrix / Runout UP+005+A SNATCH IT BACK AND SUCK IT! Matrix / Runout UP+005+B
Produced For Union Pacific Pressed By Orlake Records
