Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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General notes about this release (please note: our version may differ a little. see the comments above):
1-1. The London Symphony Orchestra - Also Sprach Zarathustra (Beginning) 1:481-2. Camerata Of St. Andrew - Adagio 6:421-3. Orchester Der Wiener Staatsoper - Radetzky March 2:581-4. Mozart Festival Orchestra (2) - Elvira Madigan Theme (Andante From Piano Concerto No. 21) 5:361-5. Il Novecento Orchestra - La Caccia 2:151-6. Utah Symphony Orchestra - Flower Waltz = Bloemenwals (From: Nutcracker) 6:191-7. Orchestra Of Radio Luxembourg - Can Can 2:091-8. Amor Artis Chorale - La Primavera = Spring = Lente, (From: The Four Seasons) 3:271-9. Orchester Der Wiener Staatsoper - Sabre Dance = Sabeldans 2:341-10. Slovak Philharmonic Orchestra - Morgenstimmung (From: Peer Gynt) 3:541-11. Orchester Der Wiener Staatsoper - 5th Symphony (First Movement) 6:031-12. Camerata Of St. Andrew - Air 4:501-13. Det Norske Kammerorkester - Eine Kleine Nachtmusik (Rondo) 2:551-14. Amor Artis Chorale - L'Estate = Summer = Zomer (From: The Four Seasons) 3:001-15. Orchester Der Wiener Staatsoper - Tritsch Tratsch Polka 2:331-16. Pfälzische Philharmonie - William Tell (Finale) 3:261-17. London Festival Chorus (2), London Festival Orchestra (2) - Chorus Of The Hebrew Slaves = Slavenkoor (From: Nabucco) 4:191-18. London Festival Chorus (2), London Festival Orchestra (2) - Triumph March = Triomfmars (From: Aida) 6:082-1. Hartford Symphony Chorale, The Hartford Symphony Orchestra - O Fortuna (Carmina Burana) 2:272-2. The Royal Philharmonic Orchestra - Barcarolle (From: Les Contes D'Hoffmann) 3:192-3. Orchester Der Wiener Staatsoper - Hungarian Dance No 5 = Hongaarse Dans No. 5 2:242-4. Australian Chamber Orchestra - Waltz (From: Serenade For Strings) 3:422-5. Josef Bulva - Liebestraum 4:192-6. Suk Chamber Orchestra - Badinerie 1:232-7. Camerata Of St. Andrew - Canon 4:362-8. The Schneider Quartet - Menuet 4:132-9. Nederlands Philharmonisch Orkest (2) - Symphony No. 40, First Movement (Excerpt) 1:592-10. Orchester Der Wiener Staatsoper - Toreador Song (From: Carmen) 2:172-11. Sylvia Capova - Für Elise 2:532-12. Orchester Der Wiener Staatsoper - Un Bal (From: Symphonie Fantastique) 6:002-13. Orchester Der Wiener Staatsoper - An Der Schönen Blauen Donau 9:222-14. Orchester Der Wiener Staatsoper - Slavonic Dance No. 8 = Slavische Dans No. 8 4:052-15. Baltimore Symphony Orchestra - Bolero 14:56
Barcode and Other Identifiers:
Barcode 3351476790627Barcode 3 351476 790627Rights Society STEMRA
Phonographic Copyright (p) Arcade Benelux B.V.Copyright (c) Arcade Benelux B.V.Marketed By Arcade Benelux B.V.Distributed By Arcade Benelux B.V.Data provided by Discogs
Barcode and Other Identifiers:
Barcode 3351476790627 Barcode 3 351476 790627 Rights Society STEMRA
