Various - One World Jazz (LP, Album)

Condition:
Media:  Very Good Plus (VG+)
Sleeve:  Very Good Plus (VG+)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

Comments:
minor writing on back sleeve!
€8,99

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Why is one record cheaper than another?

Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.

Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.

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For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.

Which variant should I choose?

If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.

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Genre: Jazz

Tracklist:
A1. Cotton Tail 6:05
A2. Misty 6:10
A3. Big Ben's Blues 9:58
B1. International Blues 6:15
B2. Nuages 5:04
B3. In A Mellotone 11:58



 



General notes about this release (please note: our version may differ a little. see the comments above):

The writers credit for track A3 states "Model" on the labels, but from the liner notes it is clear that A3 was written by Ben Webster.

Procedure as described by Leonard Feather (who did the travelling with the tape) in the liner notes:

1st Session (basic tape with spaces for additional sessions) recorded in New York with Clark Terry, J.J. Johnson, Ben Webster, Hank Jones, Kenny Burrell, George Duvivier, Jo Jones.

2nd Session on June 22, 1959 (additions to first session) recorded in London with Roy East, George Chisholm, Ronny Ross.

3rd Session (June 30) in Stockholm added Ake Persson.

4th and final session on July 3 in Paris (additions to the tape) with Roger Guerin, Bob Garcia, Martial Solal, Stephane Grapelli. The European contributors heard the tape in full hi-fi conditions via loudspeakers and were recorded with this background.

(Notes courtesy of Discogs user jazzcornerneuwied.)

Dutch stereo pressing; the mono version can be found here.

 

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