Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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A1. Annette Funicello - Tall Paul A2. Hayley Mills - Let’s Get Together A3. Burl Ives - The Ugly Bug Ball A4. Wally Boag, Thurl Ravenscroft, Furlton Burley, The Mellomen - The Tiki, Tiki, Tiki Room A5. The Disney Studio Chorus - It’s A Small World A6. Rex Allen - There’s A Great Big Beautiful Tomorrow A7. Julie Andrews - Feed The Birds (Tuppence A Bag) A8. Annette Funicello, The Beach Boys - The Monkey’s Uncle B1. The Disney Studio Chorus - Winnie The Pooh B2. Louis Prima, Bruce Reitherman, Phil Harris - I Wan’na Be Like You (The Monkey Song) B3. Tommy Steele - Fortuosity B4. Angela Lansbury - The Age Of Not Believing B5. Chuck McCann, Billy Barty - One Litle Spark B6. Jim Cummings, Nikita Hopkins - Whoop-De-Dooper Bounce
General notes about this release (please note: our version may differ a little. see the comments above):
