Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Blues
Tracklist:
A1. Leadbelly - Good Morning Blues A2. Lizzie Miles - Yellow Dog Gal Blues A3. Hot Lips Page - Just Another Woman A4. Lil Green - Why Don't You Do Right? A5. Fats Waller - Bessie, Bessie, Bessie A6. Wingy Manone - How Long Blues B1. Louis Armstrong, Jack Teagarden - Fifty-Fifty Blues B2. Johnny Moore's Three Blazers - How Blue Can You Get B3. Billy Eckstine - Jelly, Jelly B4. Jimmy Rushing - Walking Slow Behind You B5. Lucy Reed - You've Got A Date With The Blues B6. Sextet Of The Rhythm Club Of London - Mighty Like The Blues
General notes about this release (please note: our version may differ a little. see the comments above):
Copyright 1960.
Barcode and Other Identifiers:
Pressing Plant ID Ⅰ Matrix / Runout L3PP1172-3S A Ⅰ Matrix / Runout L3PP1173-3S A Ⅰ
Record Company Radio Corporation Of America Pressed By RCA Records Pressing Plant, Indianapolis Copyright (c) RCA Copyright (c) Radio Corporation Of America
A2. Lizzie Miles - Yellow Dog Gal Blues
A3. Hot Lips Page - Just Another Woman
A4. Lil Green - Why Don't You Do Right?
A5. Fats Waller - Bessie, Bessie, Bessie
A6. Wingy Manone - How Long Blues
B1. Louis Armstrong, Jack Teagarden - Fifty-Fifty Blues
B2. Johnny Moore's Three Blazers - How Blue Can You Get
B3. Billy Eckstine - Jelly, Jelly
B4. Jimmy Rushing - Walking Slow Behind You
B5. Lucy Reed - You've Got A Date With The Blues
B6. Sextet Of The Rhythm Club Of London - Mighty Like The Blues