Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz, Pop Style:Music Hall, Big Band, Vocal, Easy Listening
Tracklist:
A1. Max Harris & His Novelty Trio - Peg O' My Heart A2. Ambrose & His Orchestra - Limehouse Blues A3. Anne Shelton - Blues In The Night A4. Fred Waring & The Pennsylvanians - Dry Bones A5. The Jungle Band (2), Duke Ellington And His Orchestra - Rockin' In Rhythm A6. Lou Preager & His Orchestra - Cruising Down The River A7. Bing Crosby, The Andrews Sisters - Don't Fence Me In A8. Dick Haymes - It Might As Well Be Spring A9. The Mills Brothers - Paper Doll A10. Lale Andersen - Lili Marlene B1. Sam Browne, Lew Stone And His Band - I Get Along Without You Very Well B2. The Ink Spots - Do I Worry? B3. Bing Crosby, The Andrews Sisters - Ac-cent-tchu-ate The Positive B4. The Mills Brothers - You Always Hurt The One You Love B5. Al Jolson, Matty Malneck And His Orchestra, 4 Hits And A Miss - After You've Gone B6. Jack Payne And His Orchestra - It's A Lovely Day Tomorrow B7. Ella Fitzgerald, The Ink Spots - Into Each Life Some Rain Must Fall B8. Al Bowlly, Ray Noble And His Orchestra - The Very Thought Of You B9. Henry Hall & His Orchestra - Teddy Bears Picnic B10. Vera Lynn, Arthur Young (2) - We'll Meet Again
General notes about this release (please note: our version may differ a little. see the comments above):
Publishers:
A1, A2: Ascherberg Hopwood & Crewe
A3: Pickwick Music
A4: Shawnee Press Inc. MCPS
A5: Lawrence Wright Music Ltd
A6: Cinephonic
A7, A8, B6: Chappell Music
A9: P. Maurice
A10: P. Maurice - KPM - GEMA
B1: Famous-Chappell
B2: Southern Music Co.
B3: E. H. Morris
B4: Leeds Music
B5: Francis, Day & Hunter
B7: Leeds Music Ltd.
B8: Campbell Connelly
B9: Feldman
B10: Dash Music
Barcode and Other Identifiers:
Barcode 5 011755 130213 Barcode 5011755130213 Rights Society MCPS Rights Society GEMA Matrix / Runout REN 608 A-1U-1-1 Matrix / Runout REN 608 B-1U-1-1 Matrix / Runout REN 608 A-1U-1-1- Matrix / Runout REN 608 B-1U-1- 1-1
Phonographic Copyright (p) BBC Enterprises Ltd. Copyright (c) BBC Enterprises Ltd. Manufactured By EMI Records Distributed By EMI Records Published By Ascherberg, Hopwood & Crew Published By Pickwick Music (2) Published By Shawnee Press, Inc. Published By Lawrence Wright Music Ltd. Published By Cinephonic Published By Chappell Music Published By Peter Maurice Published By KPM Published By Famous Chappell Published By Southern Music Co. Published By E. H. Morris Published By Leeds Music Published By Francis, Day & Hunter Published By Leeds Music Ltd. Published By Campbell Connelly Published By Feldman Published By Dash Music Record Company EMI Records Ltd. Record Company MCA Records, Inc. Record Company BBC Enterprises Ltd. Licensed To MCA Records Pressed By EMI Records
