Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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A1. Vioolconcert In E A2. Dubbelvioolconcert In D A3. Vioolconcert In D, K.V. 218 A4. Pianoconcert In D, K.V. 466 A5. Symfonie No. 5 In C A6. Onvoltooide Symfonie In B A7. Pianoconcert No.2 In F A8. Symfonie No.4 B1. Vioolconcert In E B2. Pianoconcert In A B3. Pianoconcert In A B4. Schilderijen-Tentoonstelling B5. Vioolconcert In D B6. Pianoconcert No.1 In Bes B7. Vioolconcert In D B8. Pianoconcert No.2 In C
General notes about this release (please note: our version may differ a little. see the comments above):
Excerpts from the Philips classical music backcatalogue.
A2. Dubbelvioolconcert In D
A3. Vioolconcert In D, K.V. 218
A4. Pianoconcert In D, K.V. 466
A5. Symfonie No. 5 In C
A6. Onvoltooide Symfonie In B
A7. Pianoconcert No.2 In F
A8. Symfonie No.4
B1. Vioolconcert In E
B2. Pianoconcert In A
B3. Pianoconcert In A
B4. Schilderijen-Tentoonstelling
B5. Vioolconcert In D
B6. Pianoconcert No.1 In Bes
B7. Vioolconcert In D
B8. Pianoconcert No.2 In C