Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock Style:Alternative Rock
General notes about this release (please note: our version may differ a little. see the comments above):
Produced by Corno Zwetsloot. Made by Bart Schotman, Marc Mosmans, Thomas van Buuren, and Bob Koning. Music written by Bart Schotman. Recorded and mixed by Corno Zwetsloot at Studio Next to Jaap, Voorhout, the Netherlands. Mastered by Alan Ward at Electric City, Brussels, Belgium.
Additional musicians:
Esther Vroegindeweij and Kim Zwart: violin ("Shoot the Breeze," "Salieri")
Fried van der Most: vibraphone ("Don't Mean to Bug")
Oscar Boere: euphonium
Rudi Boone: alto horn
Martin van der Hout: bass tuba
Walter Minderhoud: cornet
Keimpe Paulus: alto horn ("Salieri")
Package design and photography by Bob Koning. Font "Parry" by Artur Schmal. All toys in photo from the collection of Ernest Utermark. Photographed by Bert de Jong.
1. Shoot the Breeze 2. Electricity 3. Lost Girl 4. Lost Boy 5. Come With Me 6. Don't Mean To Bug 7. Get Some 8. Salieri
