Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Electronic Style:Experimental
General notes about this release (please note: our version may differ a little. see the comments above):
Limited to 500 copies.
Erratum: The Russell Haswell + Florian Hecker re-mix/re-composition for VOICE CRACK (1972/2002) contained on this single-sided vinyl 12" was previously released as part of the CD compilation "[r847946" on the now defunct South London Label, Ambush. To the artists' horror it was released -18dB quieter than the supplied master, a +8dB peak level at 0dBFS! Rashad Becker at Dubplates + Mastering in Berlin managed to restore the intended effect of between +6dB and +8dB, depending on the cartridge and tone-arm et cetera used by the listener.
