G (Good) – Heavily played, noise likely; cover with visible damage.
Generic – Original cover missing, record comes in a generic sleeve.
Comments:
cut out
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Uiteraard kan een kras of een scuff nooit ontdaan worden, maar ultrasoon brengt een vuile plaat weer tot leven en tot zijn maximale potentie: eenmaal uit bad, is de LP weer spic en span en dat verschil zul je horen! Voorheen onder stof of door vette vingers bedolven informatie komt weer goed tot z'n recht en zo klinkt alles weer een stuk meer helder.
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Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz Style:Cool Jazz
Tracklist:
A1. Bumpin' 6:40 A2. Tear It Down 3:10 A3. A Quiet Thing 3:27 A4. Con Alma 3:25 B1. Love Theme From "The Sandpiper" (The Shadow Of Your Smile) 2:15 B2. Mi Cosa 3:15 B3. Here's That Rainy Day 4:50 B4. Musty 4:12
General notes about this release (please note: our version may differ a little. see the comments above):
Recorded at Van Gelder Studios, Englewood Cliffs, N.J. in May, 1965.
A3 from Musical Prod. "Fora, The Red Menace"
B1 from M-G-M Filmways Motion Picture
Barcode and Other Identifiers:
Rights Society ASCAP Rights Society BMI Matrix / Runout MFSL 1-508 A Matrix / Runout MFSL 10508 B Matrix / Runout B MSFL-1-508 -A1 SR/2 ORTOFON 111 Matrix / Runout MSFL-1-508B1 SR/2 ORTOFON 112 Matrix / Runout G MSFL-1-508 -A1 SR/2 T ORTOFON 111 ⁜ ⊹ Matrix / Runout MSFL-1-508B1 T SR/2 ORTOFON 111 ⊹ Matrix / Runout MFSL-1-508-A1 SR/2 111 ⁜ T ORTOFON Matrix / Runout MFSL-1-508-B1 SR/2 ORTOFON 112 ⁜ T
Licensed From Polydor Incorporated Distributed By Mobile Fidelity Sound Lab, Inc. Manufactured By Mobile Fidelity Sound Lab, Inc. Phonographic Copyright (p) Metro-Goldwyn-Mayer, Inc. Copyright (c) Metro-Goldwyn-Mayer, Inc. Pressed By Victor Company Of Japan, Ltd. Remastered At Original Masteringworks Recorded At Van Gelder Studio, Englewood Cliffs, New Jersey Lacquer Cut At JVC Cutting Center Published By Toggle Music Co. Published By Sunbeam Music Corp. Published By United Int'l. Copy. Reps. Published By Miller Music Corp. Published By Burke And Van Heusen, Inc. Published By Northbranch Music Co.
