Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Electronic Style:House, Breaks, Hard Beat
General notes about this release (please note: our version may differ a little. see the comments above):
This release has erroneous 45 RPM speed printed on the labels as in fact it plays at 33 RPM.
A. Samplification (Part 2) (The Peter Slaghuis Mix) 8:15B. Bonus Beats (The Peter Slaghuis Mix) 2:55
Barcode and Other Identifiers:
Rights Society Sabam T.M.Matrix / Runout ARS 3712-A1 FOON MASTERINGMatrix / Runout ARS 3712-B1
Produced For ARS Productions BelgiumPublished By BMC PublishingManufactured By ARS BelgiumMarketed By ARS BelgiumLacquer Cut At FoonData provided by Discogs
Barcode and Other Identifiers:
Rights Society Sabam T.M. Matrix / Runout ARS 3712-A1 FOON MASTERING Matrix / Runout ARS 3712-B1
Produced For ARS Productions Belgium Published By BMC Publishing Manufactured By ARS Belgium Marketed By ARS Belgium Lacquer Cut At Foon
