Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Classical Style:Classical
General notes about this release (please note: our version may differ a little. see the comments above):
Recording: August 2001, Maria Minor, Utrecht
Producer & engineer: Arts Music Recording, Rotterdam
. Act I 1-1. Overture 4:581-2. Recitativi Arbate, Sifare, Aspasia 5:031-3. Aria Aspasia: Al Destin Che La Minaccia 6:321-4. Recitativo Accompagnato Sifare 1:121-5. Aria Sifare: Soffre Il Mio Cor 8:051-6. Aria Arbate: L'Odio Nel Cor Frenate 4:531-7. Recitativo Farnace, Sifare, Aspasia 0:151-8. Aria Aspasia: Nel Sen Mi Palpita 2:221-9. Recitativo Farnace, Sifare 1:201-10. Aria Sifare: Nel Gran Cimento 4:121-11. Recitativo Farnace, Marzio 1:081-12. Aria Farnace: Venga Pur 7:121-13. Marcia 3:081-14. Cavata Mitridate: Se Di Lauri Il Crine Adorno 4:132-1. Recitativi Mitridate, Ismene, Arbate, Sifare, Farnace 3:292-2. Aria Ismene: In Faccia All'Oggeto 6:062-3. Recitativi Mitridate, Arbate 4:222-4. Aria Mitridate: Quel Ribelle E Quell'Ingrato 3:07. Act II 2-5. Recitativo Ismene, Farnace 2:022-6. Aria Farnace: Va, L'Error Mio Palesa 2:552-7. Recitativi Ismene, Mitridate, Aspasia 3:372-8. Aria Mitridate: Tu, Che Fidel Mi Sei 4:132-9. Recitativi Sifare, Aspasia, Arbate 7:002-10. Aria Sifare: Lungi Da Te, Mio Bene 7:422-11. Recitativo Accompagnato Aspasia 1:462-12. Aria Aspasia: Nel Grave Tormento 4:492-13. Recitativi Mitridate, Ismene, Arbate, Sifare, Farnace, Marzio 4:462-14. Ari Ismene: So Quanto A Te Dispiace 5:153-1. Recitativo Farnace 0:393-2. Aria Farnace: Son Reo: L'Error Confesso 3:323-3. Recitativo Sifare, Mitridate, Aspasia 4:043-4. Aria Mitridate: Già Di Pietà Mi Spoglio 2:193-5. Recitativi Aspasia, Sifare 3:303-6. Duetto Aspasia, Sifare: Se Viver Non Degg'io 6:38. Act III 3-7. Recitativo Mitridate, Aspasia, Ismene 2:073-8. Aria Ismene: Tu Sai Per Chi M'Accese 4:193-9. Recitativi Aspasia, Mitridate, Arbate 2:423-10. Aria Mitridate: Vado Incontro Al Fato Estremo 2:393-11. Recitativo Aspasia 0:373-12. Recitativo Accompagnato E Cavatina Aspasia: Ah Ben Ne Fui Presaga! 6:323-13. Recitativi Sifare, Aspasia 2:163-14. Aria Sifare: Se Il Rigor D'Ingrata Sorte 2:403-15. Recitativi Farnace, Marzio 2:373-16. Aria Marzio: Si Di Regnar Sei Vago 4:263-17. Recitativo Accompagnato Farnace 1:133-18. Aria Farnace: Già Dagli Acchi Il Velo È Tolto 7:063-19. Recitativi Mitridate, Sifare, Aspasia, Ismene 3:593-20. Coro Aspasia, Sifare, Ismene, Arbate, Farnace: Non Si Creda Al Campidoglio 0:42