Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Electronic, Jazz, Folk World & Country Style:Ambient, Experimental, Leftfield, Abstract, Folk, Future Jazz
Tracklist:
A1. Odd Spiral A2. Green Blob A3. Mobile Phone A4. The Goodies A5. Homage to Matta A6. Sympti A7. Tick Tock B1. Awaawaa B2. Back on Track B3. Ruby Past Lives B4. Wobbly B5. Robots Dancing B6. Babalonia B7. Sailing B8. Fun, The Final Frontier B9. Fanfare
General notes about this release (please note: our version may differ a little. see the comments above):
Back Cover notes:
Clive Ives - electronics and percussion.
Mark Ives - guitars, clarinet and base.
Recorded in South London between 1975-1982.
Compiled in conjunction with Jacob Gorchov and Jan Rew Midelfort in 2014.
Special thanks to Ramona Gonzalez from Nite Jewel.
Ivor Elliot - tenor saxophone on Robots Dancing.
