G (Good) – Heavily played, noise likely; cover with visible damage.
Generic – Original cover missing, record comes in a generic sleeve.
Comments:
sealed copy! all good, brand new, no flaws! amazing & beautiful record <3
Wat is ultrasone reiniging?
Vanaf nu passen we bij iedere plaat boven de €50,- een nieuwe service toe: we reinigen de plaat ultrasoon. Kort gezegd houdt het in dat een plaat gereinigd wordt door zeer hoogfrequente geluidsgolven in een speciaal platenbadje. Hierna komt de plaat er droog en ontdaan van alle stof weer stralend uit.
Uiteraard kan een kras of een scuff nooit ontdaan worden, maar ultrasoon brengt een vuile plaat weer tot leven en tot zijn maximale potentie: eenmaal uit bad, is de LP weer spic en span en dat verschil zul je horen! Voorheen onder stof of door vette vingers bedolven informatie komt weer goed tot z'n recht en zo klinkt alles weer een stuk meer helder.
Nog gesealde platen blijven uiteraard gewoon gesealed!
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Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
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For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Electronic, Jazz, Folk World & Country Style:Ambient, Experimental, Leftfield, Abstract, Folk, Future Jazz
Tracklist:
A1. Odd Spiral A2. Green Blob A3. Mobile Phone A4. The Goodies A5. Homage to Matta A6. Sympti A7. Tick Tock B1. Awaawaa B2. Back on Track B3. Ruby Past Lives B4. Wobbly B5. Robots Dancing B6. Babalonia B7. Sailing B8. Fun, The Final Frontier B9. Fanfare
General notes about this release (please note: our version may differ a little. see the comments above):
Back Cover notes:
Clive Ives - electronics and percussion.
Mark Ives - guitars, clarinet and base.
Recorded in South London between 1975-1982.
Compiled in conjunction with Jacob Gorchov and Jan Rew Midelfort in 2014.
Special thanks to Ramona Gonzalez from Nite Jewel.
Ivor Elliot - tenor saxophone on Robots Dancing.
