Status Quo - Live! (7", EP)

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Generic

comes in Phonogram companysleeve
 

Notes:

Labels: A: Shawbury/Valley Music B1: Shawbury Music B2: Franklyn Boyd Music Ltd./Artist Musical Productions Ltd ℗ 1975 Phonogram Ltd. Made in England Sleeve: It is 1968 or 1969, some year like that, and Gaffer Peel is compere at a rock festival in Nottingham. The organizers expected a crowd of 40.000, got 400, and a poor time is being had by all. Band after band has numbered us with meaningful stuff about the revolution (whatever happened to it anyway?), or bored us with their suite base on 'Alice Through The Looking Glass'. I'm supposed to dart between the two stages to announce each band but I'm busy trying to fascinate a young woman (unsuccessfully, I'm afraid) and this shower get on stage unannounced. "Ello", the below, stirring the stoned handful out of their torpor, 'you're not gonna like us at all, we make hit singles and we're very loud'. They didn't, they do and they are. At the time I was outraged. Who, I asked myself, are these outrageously vulgar yobboes? We wanted beauty and truth, not rowdiness; certain substances, not brown ale. Status Quo played, unabashed and basic, and since then, secretly at first because, I mean, Quo weren't, as we said then, where it was at, I've been a believer. Amazing to think that when they first annoying the neighbours from scout halls and cricket pavilions, John Kennedy was still alive, only a fistful of daft Scousers and Hamburgers had heard of the Beatles, and I was selling crop insurance in West Texas. Even more amazing in this is - thirteen years on, their music is so fresh and vital that wherever you do a disco you know it's going to be a either 'Brown Sugar' or a Quo record that finally get's them moving. You know too, that there's always going to be a row of loonies - Maybe including you - who'll get down into that celebrated Quo boogie stance and churn to and fro like creatures possessed. Status Quo are good lads, they make exciting and unpretentious records, they make me feel positively carefree, have saved many a potentially disastrous gig for me, and if they rock on for another thirteen years - well that's just fine by me. John Peel Recorded at the Kursaal, Southend 1/3/75 and Trentham Gardens, Stoke-On-Trent 2/3/75 on the Rolling Stones Mobile Mixed at IBC Studios, London Gerdundula and Junior's Wailing re-recorded by kind permission of Pye Records Ltd DELGA (B1 is a studio version, not live)

A. Roll Over Lay Down 5:40
B1. Gerdundula 2:45
B2. Junior's Wailing 3:50

Barcode and Other Identifiers:

Matrix / Runout QUO13 1F//2 IB MELYS
Matrix / Runout QUO13 2F//2 IB MELYS
Matrix / Runout QUO13 1F // 2 IB MELYS
Matrix / Runout QUO13 2F // 1 IB MELYS
Matrix / Runout QUO13 1F //2 IB 1 1 MELYS 17
Matrix / Runout QUO13 2F//1 IB 1 2 10 MELYS
Matrix / Runout QUO13 1F//2 IB 1 1 MELYS 16
Matrix / Runout QUO13 2F//1 IB 8 1 2 MELYS

Phonographic Copyright (p) Phonogram Ltd.
Recorded At The Kursaal
Recorded At Trentham Gardens
Recorded By Rolling Stones Mobile
Mixed At I.B.C. Studios
Lacquer Cut At I.B.C. Studios
Pressed By Phonodisc Ltd.
Published By Shawbury Music
Published By Franklyn Boyd Music Ltd.
Published By Artist Musical Productions Ltd
Published By Valley Music
Published By Shawbury
Marketed By Phonogram
Printed By Delga
Record Company Phonogram Ltd.