Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
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For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Electronic Style:Ambient, Industrial
Tracklist:
A1. Spastiche 5:42 A2. Heaven's 98 Horror Mst 11:49 A3. Simenon Master Backwards (Swanyard Demo) 6:28 B1. Jhon's House Tune From GM Guide - Protection 5:36 B2. Spastiche (Basic) 6:45 B3. AYOR Master (It's In My Blood) 6:39 B4. Original Amber Rain (Demo) 4:51 C1. Wir-Click-Wir 1993 2:04 C2. Crumb Tune (Master) 5:59 C3. The March Of Time (Extra Version) 8:57 C4. Spastiche - The Night's Alive (Master) 5:33 C5. Kusnir Jazz 2:37 D1. Heaven's Blade (John Balance Vox Demo) 7:24 D2. Wir-Click-Wir 1998 Mst Vox 18:34 E1. The Test Early Mst 2:16 E2. AYOR (Extra Version) 4:30 E3. Elves (Master) 6:34 E4. Heaven's Blade (Inst) 1993 8:24 E5. Mellotron Song (Amber Rain Demo) 2:51 F1. March Of More Time (Master) 1993 6:28 F2. Crumb Tune 4:21 F3. Simenon (Extra Long) 6:10 F4. Egyptian Basses 1993 7:20
General notes about this release (please note: our version may differ a little. see the comments above):
Tracks are numbered sequentially from 1 to 23.
Deluxe Triple-Gatefold 350 g heavy carton.
Nearly 150 minutes of unreleased Coil recordings around the period 1993 to 1996, from Danny Hyde's studio archives.
Commissioned artwork by Steven Stapleton, from a recalled dream by John Balance.