Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz Style:Big Band, Swing
General notes about this release (please note: our version may differ a little. see the comments above):
Each CD comes in its own cardboard and together with a 20 page booklet they fit in a larger cardboard slicase
. CD 1 1-1. You, You Darlin' 3:211-2. Jack The Bear 3:171-3. Ko-Ko (Take 2) 2:431-4. Morning Glory 3:191-5. So Far, So Good 2:541-6. Conga Brava 3:001-7. Concerto For Cootie 3:211-8. Me And You 2:551-9. Cotton Tail 3:141-10. Never No Lament 3:191-11. Dusk (Take 1) 3:211-12. Bojangles 2:541-13. A Portrait Of Bert Williams 3:111-14. Blue Goose 3:241-15. Harlem Air-Shaft 3:001-16. At A Dixie Roadside Diner 2:501-17. All Too Soon 3:321-18. Rumpus In Richmond 2:511-19. My Greatest Mistake 3:281-20. Sepia Panorama (Take 1) 3:261-21. There Shall Be No Night 3:131-22. In A Mellotone 3:181-23. Five O'Clock Whistle 3:201-24. The Flaming Sword (Take 2) 3:091-25. Warm Valley (Take 3) 3:24. CD 2 2-1. Across The Track Blues (Take 1) 3:012-2. Chloe (Song Of The Swamp) 3:282-3. I Never Felt This Way Before (Take 1) 3:332-4. The Sidewalks Of New York 3:162-5. Flamingo 3:252-6. The Girl In My Dreams Tries To Look Like You (Take 1) 3:192-7. Take The "A" Train 2:572-8. Jumpin' Punkins (Take 2) 3:352-9. John Hardy's Wife 3:302-10. Blue Serge 3:232-11. After All 3:242-12. Bakiff 3:262-13. Are You Stickin'? (Take 1) 3:062-14. Just A-Sittin' And A-Rockin' 3:362-15. The Giddybug Gallop 3:332-16. Pitter Panther Patter (Take 2) 3:062-17. Body And Soul (Take 3) 3:112-18. Sophisticated Lady (Take 2) 2:472-19. Mr. J.B. Blues (Take 1) 3:05. Alternate Takes 2-20. Ko-Ko (Take 1) 2:452-21. Bojangles 2:462-22. Sepia Panorama (Take 2) 3:242-23. Jumpin' Punkins (Take 1) 3:422-24. Jump For Joy (Take 2) 3:01. CD 3 3-1. Chocolate Shake 2:553-2. I Got It Bad (And That Ain't Good) (Take 1) 3:213-3. Clementine 3:013-4. The Brownskin Gal (In The Calico Gown) 3:123-5. Jump For Joy (Take 1) 2:553-6. Moon Over Cuba 3:163-7. Five O'Clock Drag 3:153-8. Rocks In My Bed 3:093-9. Bli-Blip 3:073-10. Raincheck 2:323-11. What Good Would It Do? 2:493-12. I Don't Know What Kind Of Blues I Got (Take 1) 3:173-13. Chelsea Bridge 2:563-14. Perdido (Take 1) 3:103-15. The "C" Jam Blues 2:403-16. Moon Mist (Take 2) 3:013-17. What Am I Here For? 3:283-18. I Don't Mind (Take 2) 2:523-19. Someone 3:113-20. My Little Brown Book 3:153-21. Main Stem 2:513-22. Johnny Come Lately 2:433-23. Hayfoot, Strawfoot (Take 1) 2:363-24. Sentimental Lady (Take 1) 3:053-25. A Slip Of The Lip (Can Sink A Ship) 2:423-26. Sherman Shuffle 2:42
